Cast of Characters – Project One

I started Project Two in the last month, and I’ve begun defining a number of character traits. Including my protagonist, Samor, I’m starting to see some life in my soon-to-be colorful cast. Earlier this week, a blurb (i.e. snappy synopsis) for a new character popped into my head and it inspired me to think similarly about my other characters.

So while I’m not ready to share Samor’s cast (Project Two), Tildy’s book is complete (Project One), and I can easily whip up something to share. A bit spoiler-y to those who want to enter the book with no details whatsoever.

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an example of Tildy's approximate look

Tildy’s skin tone, though her hair is lighter and much shorter.

Tildy – Our heroine! A princess smuggled from Evereign as the kingdom fell and her parents died. She was lost in the wilderness, the sole survivor of the caravan taking her to safety. No one knows that she – or her fraternal twin – still live. She is whip-smart, well-read, and fearless, inspired in equal parts by Hermione Granger, Princess Leia Organa, and Jean Louise “Scout” Finch. She is a shapeshifter of a sort, which means she can be any kind of girl in the world, whether in skin tone or body shape. Unlike most girls, however, she gets to choose the form she is most comfortable in. Well, sometimes, which makes puberty more challenging. Marvelous as this talent is, her ability to grow wings is what she values most. She hasn’t quite accepted the witch as her adoptive mother, despite their twelve years together.

The witch

The witch describes herself as a butternut squash.

The witch – Long has she lived as a recluse of dangerous reputation in an equally perilous garden. She has a power hinted, but not seen even by Tildy, and a darkness that sometimes shadows her face. Wants nothing more than to hide her adopted daughter from a world that despises the unusual. Unnamed for now, for it is well-known that one does not use a witch’s true name, even in a book, lest terrible things befall you.

Fietha – A clever merchant of impeccable reputation…to the wary buyer. He is one of the few men the witch seems to trust, and his friendship with Tildy sets her adventure in motion. This is the character readers wanted more of – sorry, you’ll have to wait for Project Three!

Demensen – An old crofter from the witch’s past, lately returned with tales of monsters and death, and nowhere else to turn for help. Continue reading

Author’s Journal – 12-11-19

As I mentioned in my post The Book Is Done, I completed the final edits and locked the book. It’s as final as it will be until I connect with a literary agent.*

Here’s what’s happened in the last week.

Tildy Silverleaf and the Starfall Omen1. *OK, so when I said I “locked the book”, that doesn’t mean I can’t add the updated title treatment or move the page numbers to the side margins (this saved me six pages, which will add up when I pay to print it).**

2. Upon posting that the book was done, I received dozens of congratulatory messages from family and friends, which was fantastic. I also received one apologetic note from a Trusted Reader who was embarrassed for feeling like he wasn’t qualified to provide feedback. He didn’t hurt my feelings and I told him so, basically what I wrote in That Time I Shared My Writing #2.

3. Bought some supplies for a mailing. Tuesday night I did some testing of the materials. I’m going to be vague because it’s part of a surprise for a few Trusted Readers, but there’s a tease on Instagram.

4. I’ve done some other blogging: Let’s get kids to love stuff talks about encouraging kids in the things they love, and in 100 posts already? I talk a little about my goals for the website and share links to some of the more popular topics.

Busy week; lots of good stuff happening.

–Mike

**NOTE: Writers promise they’ve locked the book all the time.

John Mulaney stand-up "New in Town" (2012)


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© Michael Wallevand, December 2019

 

Difficult Choices #1

This post is approximately 550 words. It had been longer, but…difficult choices were made.

Phew. It’s been more than four months since I posted Tighten Up Your Writing #6. The final draft editing continues apace, which is the primary reason I haven’t been blogging.

Well, that and the Gears 5 Tech Test over two weekends in July.

Anyway, today’s update is about a choice I’d been debating a few months. Jack, aka Trusted Reader 16 and one of my most enthusiastic contributors, had given me the same feedback each time I provided new chapters: Some were too long.

He was right every time and I followed his suggestions.

After his latest round of feedback, I literally tallied up the word counts of every chapter and put them in a spreadsheet (hey, I’m a data guy).  A few hit 6,000 and two were on their way to 8,000. In most cases, every scene within a chapter was connected and followed a theme. I did my job well enough that the chapter titles fit all the pieces within.

And yet, those were some long chapters. I’d recently set a target of 3,000 to 4,000 words to keep the reading effort light, while also making it feel like the story kept moving. I was missing the mark. It reminded me of reading when I just want to get to the end of a chapter so I can take a break. Fortunately, I’ve yet to receive that criticism from my Trusted Readers.

I had a difficult choice to make. Do I break up the big chapters?

Murder your darlings

Continue reading

Celtic Christmas Poem

When I read ancient tales like Beowulf or the Odyssey, I like to consider the challenges faced by translators. It’s not simply replacing one word for another; in some cases, it’s also preserving the rhythm, often at the expense of what we’d consider ‘standard grammar’. Rhythm is a critical component of memorization, which was essential for stories that passed from mouth to ear, rather than by written page.

I kept that in mind when I wrote this poem in 2005. I put myself in the mindset of a translator struggling to capture the flow of some ancient chant. To me, it’s a combination of science and art, with the latter given preference. You’ll hear similar things in modern music, when the lyricist chooses rhythm over the rules taught in high school English.

Without further preface, my Celtic Christmas poem:


Come, my dear friends and do hearken
And sit by my fire for awhile.
For I am about to regale you
Of the Scourge of the Emerald Isle. Continue reading

Writing Update: December 4, 2016

This post is about 350 words. 

kermit writing.gif

It’s been about three weeks since my last writing update, where I mentioned that I’d uploaded the first two chapters to this website. Since then, I’ve finished up* the next three, though I’m not sharing them yet.

*As always, when I say, “finished up”, there’s a big disclaimer about reserving the right to go back and tweak them as needed. Or to change things based on revisions to later chapters. Or to fix things that have woken me in the middle of the night. Or when I realize I’m having the same delusion as Ralphie in A Christmas Story.

OK, so rambling aside, I’m satisfied that FIVE chapters are ready for reading. They have cohesion and flow, and each considers the length of the ones before (i.e. I don’t have a 3,000-word chapter followed by one that’s 10,000 words). They have transition and connection to each other, so they are no longer five separate pieces. They feel like the first act of a three-act story. And that’s about 20% of the book completed, which feels pretty good. But….

Continue reading

Writing Update: November 13, 2016

This post is about 250 words. 

It’s been a few months since I published an update like this, but with back-to-school, Boy Scouts, the election, and the release of Gears of War 4, it’s been a busy Autumn.

Oh yeah, and I’ve been doing  massive amounts of editing.

typing 5.gif

I haven’t been idle, even if this blog has been a bit quiet. To remedy that, I’ve uploaded excerpts to the site.

Continue reading

Writing Exercise #3: Halloween Rhymes

This post is approximately 500 words. 

The following verse represents about an hour’s worth of work, which means it’s not highly polished, yet I still managed to work in rhyme and rhythm with minimal effort.

However, if you’ve ever written a verse in rhyme, you know that sometimes it requires a ridiculous commitment to the style. For me, I usually get about three-fourths done before I start to question my decision. It comes around the time I think, “I need a rhyme for itch: ditch, Fitch, hitch, kitsch, liche, Mitch, niche…” Then comes the expectation that the audience will find the verse absurd because stylistic compromises were made just to get a rhyming word in.

Well yeah….sometimes.

But that’s fine. In a writing exercise, you’re not seeking art or permanence. You’re chasing the muse, curious about where she leads. It’s almost disposable writing, which is not to say it’s worthless. To the contrary, it very well could end up in a finished work. But again, that’s not the point. The goal, the real objective, is to keep your writing tools honed. This makes your daily manuscript work easier because you’ve kept your mind sharp.

In the spirit of the Halloween season, I hope you can enjoy this little cautionary tale, written in the style of old nursery rhymes. Continue reading