Author’s Journal – I Put Myself In Editing Purgatory

Altar from Franciscan Monastery of the Holy Land in America, Washington, D.C.

In December 2019, I finished the final draft of Tildy Silverleaf and the Starfall Omen. I exhaled, wrote a post, and put the book aside for the holiday season, intent on querying in 2020. I started researching agents over the winter and began querying in earnest in early spring.

Around that time, rumors had begun, followed by vague news reports, about a new disease that would eventually be known as Covid-19. In March 2020, I said goodbye to my office desk and began working remotely for nearly 3 years. In May, riots erupted in Minneapolis and elsewhere over the murder of George Floyd. As the year progressed, the political landscape in America became fraught, then angry, then vicious, and civil discourse became less common.

The world seemed to stop.

And so did I.

I tried to write, and in two years, I had about 100,000 words of my next book, which featured Samor, Tildy’s brother. There was some joy, but the weight of things beyond my control pressed upon me, and the work became more grind than pleasure. I struggled to recapture the magic.

I decreased my blogging output in that time, too. After all, what did I have to write about my process? I wanted to share positive things and my passion for writing, but they were hard to think of, much less give enough attention to bring to life. There seemed to be more important things in the world.

I started Project 3 in that time, hoping a return to Tildy’s familiar story would help me push through. For a time, it did.

It wasn’t enough.

A combination of personal matters, work, family health issues, and the state of the world put me into a dark place, the shadow of which still lies upon me. Fortunately, therapy, exercise, and alcohol have helped pull me out, though my writing brain isn’t where it had been three years ago.

I finally returned to my first manuscript, the thing had brought considerable joy, and I started to tinker. From a distance of more than two years, I found myself more objective than I’d originally been. I pulled out pen, pencil, and highlighter and began reviewing the book to edit the length. I found some plot holes, irrelevant details, and of course, a fair number of typos. All of which are fine and to be expected. I tracked every scene in a notebook to help me quickly navigate the story, which, at 189,000 words is a difficult thing to manage.

I read and made notes. I read and edited. I found that I’d tinkered away several months, and I still hadn’t completed the updates I’d identified.

I’m staring at the thick spiralbound manuscript as I write this, with its page marker flags and its crumpled edges from endless handling, with its arrows and ideas and X’d out passages. To the wary eye, it might appear a dangerous and indecipherable artifact that none but myself would dare open lest some ancient spell be unleashed.

It sits there, waiting for my return.

And while I don’t dread opening it later today, I’m anticipating less joy than I would if I were just sitting down to write, fueled by pure inspiration. Though that’s part of the deal, isn’t it? There has to be roll-up-your-sleeves work in addition to writing for pleasure. The editing is where the story truly comes to life. It can be frustrating, it can be difficult, and if you’re not careful, it can also be where your book goes to die.

If I ever want to get back to the writing side of bringing a book to life, that fine bit of creative heaven, then I’ve got to drag myself out of the purgatory into which I’ve placed myself and my project. It’s long past time that I returned to the Forest of Eddlweld and the hidden Garden of Dappledown.

As they entered the forest, Tildy heard the chirps and songs of blackbirds, neemenees, and wrens. Some of the tub-whumps croaked their evening greetings as the sun began to sink toward the horizon. The failing light mattered little to them. A path led to Dappledown for those who had been there before, though the two of them could have found their way on the blackest night. Nevertheless, bioluminescent greencaps limned the path. Ahead, the picket-willows parted, and with her first sight of the Garden, Tildy’s spirits soared. She was truly home. The clouds overhead cleared and green glowed from every place her eyes could see.

Won’t you join me? Either in your world or mine. Good luck on our writing!

Mike


Enjoy what you just read? Leave a comment or like the post, and we’ll ensure that you see more like this!

© Michael Wallevand, March 2023

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Exclude your audience or include them?

I’m always reviewing my writing for exclusionary words. In this post, I’ll be taking a discriminating look at a few paragraphs from my book with the intent of removing discriminatory language. Don’t worry – this wasn’t some prejudicial diatribe I needed to cut. I’d found a trite, gender-centric passage, and I decided to shake it up to turn a trope on its head. Painless right? And kinda fun, kid.

Language is both simple and powerful in its ability to bring people together, but it’s also very easy to exclude broad swathes of people with specific words. For instance, using “men” to describe soldiers or “wife” or “husband” instead of “spouse”. If you’re always represented in the language like I am (i.e. a white guy), you’re less attuned to it and less exhausted by it. And even if you want to write differently, these things still unconsciously find their way into your writing because much of what you’ve read is rife with similar language.

The fixes aren’t difficult, but you have to look for them and be willing to change your way of thinking a smidge to include people.

BTW, if you want to complain about political correctness or wokeism, this probably isn’t the website – or book – for you. I’m sorry to see you go. We’ve got a heckuva a wild fantasy ahead of us and there’s room for humans of all kinds.

I’ll start by presenting the passage in its fixed state, hoping that you’ll appreciate how it reads like a perfectly normal piece of writing, not some screed trying to brainwash you.

She shook her head, clearing her thoughts like a dog shakes out waterlogged ears. “Listen, youths are idiots when it comes to impressing someone they like. They get all sorts of notions in their heads. Probably the storybooks they read,” she said with an eye on Tildy. She continued, determined to say her piece. “Some want to be knights, fighting to prove themselves worthy of marriage and titles and lands. It makes them do reckless things.”

Tildy stared, mind reeling. What in the world was she talking about? And like a smack to the head, she understood and laughed. “You think he’s going to fight for my honor or something?”

The witch looked unhappy. “I have seen many young people rushing to battle for honor or some chivalrous reward. Only some returned, and none were the same, regardless of the prize.”

See? Perfectly normal and not brainwashy at all.

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Writing Exercise: Memorial Day tribute

I planned to delve into writing this weekend, mixing those responsibilities with other chores around the house. I needed to regain momentum on Project Two, which had stalled during the pandemic; ironically, I was also fighting the lingering effects of my own bout with Covid. I knew I would have plenty of optimism when I finally sat at the keyboard, even if I had no idea where to begin.

That’s when Serendipity paid a visit.

Goodnight, Saigon by Billy Joel came up on my playlist, and his lyrics drew me in like I was watching a movie. I don’t know if you’ve experienced this, but your mind’s eye takes over, even as your body goes through the motions of dressing and pouring coffee. I’m not even sure of the sequence of events: my mind connected the song to Memorial Day and a scene where Samor rejoins his companions after they’ve lost someone. There was nothing; then there was something.

I grabbed the computer, put the song on repeat, and 30 minutes later, I had this.

Samor greeted his companions as they gathered to him. Their welcome was genuine, their words warm. But he read something else on their faces that he hadn’t seen before. Or rather, he realized he hadn’t had the skills to interpret the tragedies that lay there. The worry that creased Hochness’s brow; the crow’s feet that used to merrily step away from the corners of Oafsson’s eyes. Even the betrayer Chork, addled as his mind remained, seemed more sedate against the bonds that held him to the litter. A weight drug at them all, anchoring them to the battle where they’d lost their friend and compatriot. The look of survivors, a mix of gratitude and guilt, made worse by each condemning beat of their living hearts.

His past naiveté angered him, but mostly it saddened him. No words seemed important enough, nor considerate or meaningful enough to break the silence of the moment. And so, he took his cue from his friends, yes, that is what they were now, and he embraced them silently and exchanged knowing looks that would have been inscrutable to the person he used to be. In the strength he gave, he felt more returned. They knew he knew. They accepted him and were grateful that he offered to share the burden.

Samor recognized this understanding wouldn’t have come from a lifetime of study. Simple words upon the page were shallow, going no deeper than the ink that sank into the paper – practically lies for their misinterpretation of the awful reality. The knowledge was horrible, and he wished he’d never acquired it. A small voice between his ears reminded him it was a necessary experience for the future leader of Empyrelia, a land destined for war, but he could derive no comfort from that. He hoped he never would.

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Tighten Up Your Writing #8

I have a day off from the office and I’m trying to savage my final draft like a drunken barbarian. The Project One manuscript ended at nearly 190K words, and that’s an awful lot for many reasons. It’s a big investment for a reader, not to mention a publisher. It also sets a precedent for future books, and that’s a writing pace I’m uncertain I can maintain. It feels heavy, both literally and metaphorically.

Amidst the edits, cuts, and barbarically setting the countryside ablaze, I came upon this sentence:

  • Tildy also noted that it was still as quiet as she remembered.

It tripped me because my brain registered “still” as a synonym for “quiet”. Well, if that’s confusing, does the sentence work without that unnecessary word?

  • Tildy also noted that it was as quiet as she remembered.

It does!

I wonder if I’ll be able to make similar cuts, the way I did here and here? A quick Ctrl-F showed 192 instances. Some will likely remain, but others will have to go. And then there’s this:

Screencap of Tildy Silverleaf and the Starfall Omen, showing 5 instances of the word "still"

Well, that’s embarrassing, but a fine example of how difficult it is for a writer to be objective when editing their own work. If you’re curious, I deleted the first three, rewrote the fourth out, and kept the fifth. Only 187 left to go.

For more tips (and embarrassing admissions), we recommend these posts. Good luck with your writing!

–Mike


Enjoy what you just read? Leave a comment or like the post and we’ll ensure that you see more like this!

© Michael Wallevand, May 13, 2022

Learn about your writing by talking with people

At a recent happy hour for a departing colleague and friend (aka Trusted Reader #3), the subject of my writing came up several times. I’m at the point where I enjoy this more than I once did. Part of it is comfort, part is the practice of refining my synopsis, and part is knowing more about the story and what I’m doing as a writer.

I’ve written about the difficulties I’ve had here and here.

As stressful or scary as this might feel, it’s an important part of the writing process. Even if you never want a person to read your writing (which I consider a shame – share with us!), it will help you as a writer.

I’ve talked about the importance of developing this skill in the context of pitching your story. But there’s another benefit, and that’s to the story itself.

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Word Casualties #10 – For the love of all that’s holy

Sometimes….you might just plop gibberish upon the page.

When I’m in the zone, I type around 100 words per minute. That’s not elite status, but I’m definitely moving. My brain, however, is processing the story much faster. Passages aren’t necessarily being fed to the page in order, and oftentimes, sentences aren’t landing with the words in their intended sequence. It’s a bit of a wires-crossed thing that requires some adaptation, patience, and editing.

An unfortunate, though sometimes hilarious consequence, is some serious gibberish. Although it breaks my rhythm, I usually delete these things immediately because they’re too horrid to live on the page another moment. However, since I started this series of Casualties posts, I’ve decided to save some of the better ones as examples of just how wrong an experienced writer can go.

As always, I’ve created some definitions, and the correct words (if I’ve deciphered them) follow that.

CASUALTIES

Hiuefully – a well-saturated color

Initiatititive – making the first move on a sexy date

Tjamls – beasts of burden that tjaverse the djesert

Habyart – a question posed to the entrants of rural art shows: “Habyart?” “Yessaidoo!”

Consticuous – something stuck to the wall and definitely out of place

Priviledge – born with the right to stand upon the precipice

Viluminous – an evil glow

Predigestion – what happens to chewed food slathered in saliva

Predamentary – the basics for stalking prey

Harbordence – a thick fog hanging heavy upon the docks

Trhaventily – seriously, I got nothing here. A flower? A kind of fancy silk lace?

CORRECT SPELLINGS

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Writing Update: August 7, 2021

I started working on Samor’s new story in December 2019. It’s been a journey of considerable challenges and delights. Some things have gone very well. Others, hmm, not so much.

Part of my writing process is reflection. I regularly look back at what I’ve accomplished. I think it’s a critical step because writing a book is a difficult journey filled with self-doubt. When your energy is low or your mental defenses are down, abandoning a draft can feel like the only viable option. But take heart! Energy always returns. Defenses are rebuilt! Reminding yourself of your good work will replenish your creative tank.

Here’s a list of ten accomplishments and discoveries of the last twenty months.

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Difficult Story Choices #2

I knew it was coming.

I didn’t want to admit it. I figured if I kept these parts in the book, eventually I’d find a way to make the passages work.

But the writer knows. You know when it’s not going to work long before you concede the reality.

And then about a week ago, I wrote this note which sealed their fate: “Repurposing these words to the Elf would move the Dragon to Samor Book 2; at which point all the other Dragon stuff could be moved out. I’ve been struggling with their purpose for a while.”

Even then, it took a few more days before I started yanking stuff from the manuscript. I once again followed the advice of Stephen King, who was borrowing from Sir Arthur Quiller-Couch:

Murder your darlings
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Hey writer: What’s more important?

I wrote this just over a year ago, when many of us were still underestimating the impact of the pandemic upon our worlds. “Oh, my sweet summer child,” to borrow George R. R. Martin’s commentary on naiveite. I found the post waiting in my drafts folder, one of a number of writing projects that got shelved due to other priorities. I share it now because it touches on an important matter for writers. Please don’t mind the dust.

A friend (Trusted Reader #12), sent me this message:

So, I have a “what’s important about writing question” for you when you have a moment.

YES! There are two surefire ways to get my attention: 1) talk about Star Wars (my wife does this) and 2) ask a question about writing.

As you can imagine, I dropped what I was doing and emphatically replied. My brain raced. Was this philosophical? Perhaps this was related to me having a writing degree in the business world. Oooh, could it pertain to the importance of reading?

What’s more important, story or character?

Uh oh.

It’s a great question, and I’m glad he asked. I had an answer, of course, but part of me wondered if I was walking into something.

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Writing Exercise: Morning Routine

I have a new routine to start my work day. It’s a chance to center my mind, while doing a little mental stretching to prepare it. Sometimes, the exercise relates to the office job; others, my personal writing. On Monday, it was the latter.

It a last bit of preface, I’ll segue to a common question writers get: “Where do you get your ideas?” Usually, I haven’t a clue, but I know exactly where this piece originated. I looked at the window and the word “a’sliver” came to mind as a creative synonym for “ajar”. Mundane origin? Perhaps. Occasionally, the magic in writing is simply a curtained alcove in Emerald City with an old man hiding there*.

*Even then, when you look carefully, you might see the trailing remnants of real magic as they flee from prying eyes

Anyway, I challenged myself to work it into a little something, and as I sat in my office listening to the sounds of morning and watching the world through a window, the following flowed out. Less stream-of-consciousness writing….and more of a leak. (how’s that for a sales pitch?)

Window sits a’sliver just enough
For filtered birdcalls to enter the room
But perhaps not the heat

A whispered wind whistles in
Squeezing through a narrowed crack
It cannot force wider open

Sun chases behind them
Sending shadowed wings to dance upon my wall
Wafted air disturbing doldrum days

Trees glow in verdant hues
Awash with shadow and light
Dancing brightly fro and to

Asphalt rhythms drone in time
Rubbered wheels, frictioned warm
Click-kicking out stones

The staccato bark of greeting dogs
Heedless of rhyme or melody
A mixed meter only they measure

Stylistically, it’s a bit of a mess.

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