Writing Exercise – The An-Teak Desk

A writer never knows when inspiration will arrive or from where. Because algorithm, I stumbled upon the podcast of a friend’s wife. It was a clip in which she discussed junk drawers with her friend. They laughed in delight at the idea of the drawer opening up like the wardrobe to Narnia.

An hour later, I had 1,700 words.


Jammie, so nicknamed for her love of footie pajamas, followed her brother Matt up the dim creaking stairs, her eyes fixed on the close-cropped black hair that had earned the slender boy a moniker of his own. “Gramma missed a spot, Matchstick,” she teased, pointing at the tuft on his head.

He reached back and felt for the place, his lips hissing a derisive sound when he found it. “That’s my lucky spot. She says if you find one of those, you’ll be lucky ‘til your next haircut.”

“I think that’s one of those things grown-ups say to hide their mistakes,” she retorted.

He looked over his shoulder as they neared the top of the stairs. “With all that reading you do, I can’t believe you’ve never heard of that.”

“You read as much as I do and I bet you’ve never heard of it, either.”

The dark shape of the heavy oak door emerged from the shadows before them, a dull brass doorknob reflecting the oil lamp at the bottom of the stairs. Instead of reaching for the knob, he turned and looked down at her. “You read way more than I do.”

“Yeah, but you read en-cy-clo-pedias,” she replied, drawing out the enunciation as a sign of reverence. She’d always wanted to enjoy them – knowledge was important, her daddy advised – but she just didn’t have the head for it, her grandma said.

“I didn’t have a choice, you know.”

“But you like them now, right?”

He stared at his sister, her face aglow with wonder and curiosity. Her eyes could drink in all the details of the world, and still her inquisitiveness would not be sated. “I guess. They’re now like reading an old story you know by heart.”

“I know all about that. My books never showed me that symbol you found, though. My stories are all made up, and writers are liars.”

“Who do you think they use for encyclopedias? Are they liars, too?”

Jammie was undeterred. “They’re the non-lying kind, I bet. Exception to the rule.”

“Uh huh. Grandma said the story of the desk is made-up, too.”

“Then how’d that symbol get into the Book of T?” Jammie retorted with a self-satisfied smile.

“They don’t call them the ‘book of such-n-such letter’. They’re called ‘volumes’.”

“My name for them is more fun, though.”

Matt couldn’t disagree. He shrugged. “You wanna stand here on the threshold arguing or go take a look?”

She reached past him and twisted the brass knob, which resisted. He put his hand over hers and they turned the knob together. It released with a click.

He pushed the door inwards, the hinges protesting like a ghost fighting its ethereal chains. Darkness poured out at them like ink spilled from a bottle. “You still got dad’s lantern?” The metal cranking sound was the only response she offered. He laughed, “That thing must be a thousand years old.” She stood beside him but still didn’t say anything. “Hey, you OK? You’ve been here before you know.”

“I was five with dad and grandpa and it wasn’t the middle of the night.”

“You’re twice as old now.”

“And I’ve read a hundred times more scary stories.”

“Give me the lantern and I’ll go in. You stay here and slam the door shut if some goobitty-gah eats me and tries to escape.”

“You’re funny,” she said, but he knew his humor had done the trick. They walked together into the room, the old lantern’s light surprisingly strong.

The attic spread out before them, a cacophony of clutter draped with dust and deep shadows. Old suitcases and steamer trunks lined the wall to their right with mixes of cardboard boxes scattered around and on top of them. To their left stood clothing racks under dingy sheets, covered mirrors, hat boxes, and a few bare mannequin toros. An old radio the size of a small refrigerator stood nearby, as did some old speakers nearly as tall. Odds, ends, and sundry haphazardly filled much of the other available floor space, and they passed through like strangers navigating a crowd.

At last, they reached the far end of the attic, where waited an enormous shape covered with floral-patterned sheets.

“So that’s the an-teak desk?” she asked enjoying her play on words.

He groaned. “Your jokes are worse than dad’s. It’s a teak desk from antiquity. That’s older than antique.” He grabbed the sheets. “Close your eyes and hold your breath.” He watched her cheeks puff out then tugged the filthy coverings away. Gentle as he was, the disturbed dust still filled the air like someone had shaken a desiccated snow globe.

They coughed and rubbed their eyes, and when the air had settled, they beheld the magnificent and monstrous desk.

“There’s no way granddad’s granddad stole that thing and carried it across Asia,” Jammie said. She placed the lantern on a nearby crate to illuminate the area. “It must be ten feet across and a thousand pounds! You’d need an elephant to pull it.”

“Maybe he stole that from the raja, too.”

“I thought it was a maharajah,” she said, her eyes tracing the intricate carvings of animals and unfamiliar symbols.

“Close enough,” he replied, himself distracted by the marvel before them. He began to circle away from her to the place on the other side.

“Nuh uh, ‘cy-clo-pedia boy.”

He sighed. “Fine. A raja is a lesser king, whereas—” he cut himself off as he heard his sister snickering.

“Nerd!” she jibed.

He laughed in spite of himself. She loved her little games.

“I can’t believe you still remember that symbol you saw five years ago,” she said as she ran her hand along the desktop’s smooth surface.

“Me either. I don’t think I would have ‘cept granddad slapped my hand away from it as though it was hot. Grab the lantern, it’s here on the front of this drawer.”

She joined him and the lantern’s light revealed a single oversized drawer that occupied the lower two-thirds of the desk’s right side. “I could almost fit in there, I bet,” she said with not a tiny amount of suspicion.

Matt squatted and pointed to a symbol above the dull brass handle, both of which were dwarfed by the massive front of the drawer. “See, this trident-shaped symbol is called a Trishul, though this is much more intricate than what I found—”

“In the Book of T?”

“In the Book of T,” he laughed. “Stand back, I’m going to open it.” Jammie leaned against the wall, lantern held high. He grabbed the handle, but the drawer wouldn’t budge. With both hands, he pulled harder and finally it slid open. The two of them leaned forward as the lantern illuminated the dark depths of the space.

“It’s a junk drawer,” Jammie said flatly.

Indeed, so it appeared to be. In the sharp light of the lantern, they saw a spool of thread, some fishing lures, a scissors, some knives, and a whetstone. There were scraps of paper and quill pens. A dried-up inkpot. A thimble and measuring tape. Some dice and a battered playing card. An inventory of bobs-and-ends that would have filled a page, maybe two, piled upon one another, layer over layer, and waiting for an excavation by an archaeologist with nothing better to do.

There was nothing at all interesting to the two children who’d spent the morning dreaming of the treasures they’d find in the mysterious desk of their granddad’s granddad’s legend. There wasn’t a single coin or pirate map or firecracker anywhere to be seen.

“It’s just junk,” she repeated.

Her brother, who had just enough knowledge to make anything interesting, tried to save their quest from ruin. “Now wait here, young lady!” he said, raising his hand with a flourish before plunging his arm up to his shoulder into the compartment. He rummaged around, ignoring her dubious face. “I present to you, hidden long years beneath the roots of the Yim-Yam tree,” he straightened up and presented the object in his hand, “the cork of the most noble king of the Whippoo tribes.”

Jammie rolled her eyes. “Is the Whippoo even a real people?”

“They could be,” he whispered conspiratorially. “Who knows what lost peoples may have contributed to the contents of the World’s Most Magnificent and Magnanimous Drawer of Oddments!”

“If I wanted to play with junk, I’d dig into my toybox for the broken doll parts that still live at the bottom.”

“Fine, fine. Well, I tried to make an adventure of it for you. I didn’t really know what to expect, other than that symbol might mean more than a decoration.” The memory of his granddad slapping his hand returned.

“Well, you sounded like you’d hoped this old thing would transport us to far-off lands, like a flying carpet.”

“Whatever,” he replied, pushing against the heavy drawer with his hip.

A metallic click stopped him short. It caught Jammie’s attention, too. “What was that?”

Matt stepped away from the desk and knelt in the lantern light, seeing only a Trishul-shaped hole. He probed it with his longest finger but couldn’t locate the button. He peered into the dark drawer again, expecting to see his fingertip. He didn’t: the inside face of the drawer was solid where the other side of the hole should be. “That’s weird.”

And then, from within the depths of the drawer, a gearwork mechanism whirred and clicked. Too eager to remove his finger safely, Matt fell onto his backside as the front of the drawer came apart, unravelling like a bundle of wood when the twine breaks. When the motion stopped, the wood had mysteriously created two steps that led up into the drawer.

Together they peered down into the opening that had been filled with miscellany.

The junk was gone. The bottom of the drawer was gone.

But a path of glowing green stone led away from the steps and down toward some unseen light at the end of a corridor. The space that had been the drawer was now a low archway through which two children could squeeze.

“I told you I could fit in there,” Jammie said, wryly.

With a shared look of excitement, she took the lantern, Matt took her hand, and together they took their first steps down into the hidden world that lay beyond.


I have 2 criticisms, though I’m otherwise happy with how easily this came together.

First, “An-Teak” is a terrible joke and a worse name for a story. I might leave the pun, since Jammie clearly has a “dad joke” sense of humor, but that title will have to change.

Second, I need to do a better job describing the desk drawer (and probably the desk itself to lend to the build-up). I have a vision but don’t think my words capture it.

I had a third criticism, which I changed before sharing the story here. I leaned in too heavily with the nicknames, and felt silly on my first read-through. So, I gave Matchstick the name Matt and stuck to that. I might just remove it all together. It depends on how serious the story is.

Anyway, I share this as an example of how easy it is to start writing sometimes, which is advice I need to take to heart. I’ve been struggling the last 2 years, and it’s nice to see my tools aren’t rusted away to nothing.

Good luck with your own writing!

–Mike


(C) Michael Wallevand, April 2026

What do you enjoy about being an author?

What do you enjoy about being an author?

Well, that’s easy to answer.

Until someone actually asks the question.

For me, and I suspect many writers like me, it’s something we just know. Perhaps it’s similar to loving milk chocolate melted over marshmallows and graham crackers, Irish whisky splashing into an iced glass, or shaggy dogs who cuddle in your lap. You just know.

As writers, one of our primary jobs is to articulate those concepts that are difficult to put into words. To evoke meaning and emotion from words made of letters made of lines and curves that dance across a page. It’s hard, it’s easy, it’s simply impossible at times. Yet we trudge on because that’s the job.

And so, when I was recently given a survey as part of the publishing process, I paused and took some time to think about things that brought me joy and those that drained my energy. I already knew the answers. I just didn’t know which words I needed to express myself.

Mike fancies himself a Drake meme. This is something he doesn't like.

Please list up to 3 things you enjoy the least as an author related to writing, publishing and selling your books.

  • Book formatting. I wish I’d done more research about manuscript formatting. It’s caused a lot of rework.
  • Marketing myself. Ironically, my day job is marketing.
  • I love the learning process for all of this, though I wish it didn’t take so much time. It’s also very easy to distract yourself with rabbit holes when you’re struggling with the creative process.
Mike fancies himself a Drake meme. This is something he likes.

Please list up to 3 things you enjoy the most as an author related to writing, publishing and selling your books.

  • The pure act of creation energizes me like nothing else.
  • I am compelled to find ways to entertain and comfort people in all aspects of my life.
  • I believe my skills should be used to advocate for human beings who are under-represented, under-privileged, or otherwise face prejudices.

Being able to articulate things like this can be a helpful guide in your writing. If you know what will energize you, tap into that as you sit at the keyboard. If you know what drains you, meet that head on and consider ways to change that chore into something you adore.

Focus and time management are critical aspects of writing that I don’t think get enough attention. An exercise like this can help.

Good luck with your writing in 2026!

–Mike


(C) Michael Wallevand, December 2025

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How Do You Honor a Life #3 – Ace

How Do You Honor a Life #3 – Ace

A few years ago, I was invited to join a bunch of dice-rolling, whiskey-swilling hooligans at an annual tabletop gaming retreat called Whiskey Weekend.

Bunch of guys around a large table playing games.
Hooligans, amiright?

I was amazed how quickly I fit in and bonded with the group. With my neurodiversity, I don’t make friends easily or often, nor am I comfortable in social situations. One of the people I connected with quickly was Ace. I suspect this was a combination of our similar senses of humor and my willingness to play any game he rolled out. On a future weekend, I gave him some 3D-printed token holders for Everdell, one of his favorite games. His gratitude became delight when I revealed I’d bought my own copy of Everdell because of him.

About two years ago, he shared some rough news with us. Cancer. In the time leading up to our 2024 weekend, he told us he had chemo scheduled the first Saturday of our retreat. He was going to come up briefly and then jump into the treatments. He was in good spirits, and I could tell he enjoyed even that brief time with us. He offered us silicone bracelets as part of his journey – mine disappeared after Benji snagged it for his stuffies to wear – but I believe it conveyed Ace’s philosophy of staying strong and seizing the day.

Knowing how much he loved the event, I wanted to do something special. I wanted to help him feel like he could still experience some of the weekend, even from a distance. So I did two things.

The first was for the group. I 3D printed tabletop minis for everyone to paint and wrote little stories so people could mix and match. More info here. I gave Ace first pick and he was able to make his selection before he had to leave. I later heard he painted it right away and had a fun time. I wish I could have seen the results.

The second was for Ace himself. The whiskey part of Whiskey Weekend involves a double-elimination tournament where we do a blind taste test every hour. I brought little empty bottles for each entry so Ace could sample the same selection he would have gotten with us. It was perhaps a small comfort, considering Ace looked forward to the weekend more than anyone, but he seemed truly touched. I hope he was able to enjoy the drinks and think fondly of Weekends past. I didn’t know that would be the last time I saw him. I never got a chance to ask.

Friendship is wonderful, strange, magical thing. I think I’d been together with Ace less than 10 times, and yet, I quickly, easily considered him a good friend. I don’t think I knew his actual name for two years.

And so, I found myself at my first Jewish funeral today.

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Writing Exercise – Don’t Write Yourself Off

Mike Wallevand on high school graduation day at 135 pounds

I hadn’t worked out in 28 years.

I graduated high school a skinny 5’11”, 135-pound basketball player who’d spent his childhood with a ridiculous metabolism. For many of us, things changed in college. Four years later, I’d gained 30 pounds. It wasn’t muscle. Those size 32 pants were a bit snug.

Fast forward nearly twenty years – around 2015 – I stopped checking my weight. A scale displaying 220+ pounds wasn’t something I wanted to see any more. I had more willpower for that than to make any meaningful lifestyle change, and my weight continued to increase.

Collage of Mike at his heaviest

In fact, the only real change I would make was cutting out soda and trying to walk the dogs more. From 2012-2017, I lost maybe 10-15 unremarkable pounds. I certainly didn’t feel any better, physically, mentally, or emotionally.

My wardrobe also remained the same: layers of bulky clothes to hide rolls, folds, and not-quite-manboobs. My shirts were XL and my pants were 38 waist. The collars of dress shirts were hangman’s knots and suitcoats were sausage casings.

Five years ago, in early 2019, I was invited to a class at a local boxing club. Did I mention I hadn’t worked out in 28 years? I found workouts boring. Or intimidating: I didn’t want to be the fat bald guy in a massive fitness center who was wheezing on a treadmill or struggling under weights. And if that were true, punching something for an hour was certainly far outside my interest, not to mention my personality.

Coming into the class, I didn’t expect anything to change, even if a small voice between my ears told me that I really, really needed an exercise routine. But I’d been ignoring that guidance my entire adult life.

In that first 1-hour class, I thought I was going to die.

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Commission: Tildy Silverleaf by Danny Givens

For a while, I’ve wanted to hire some illustrators to help me populate this site with more imagery. Until the book was finalized, however, I knew it would be a distraction to help me procrastinate. Believe me, writers have an endless variety of options to help with that. Just look at our search history.

Now that I’m working on publishing the book, I have time. I recently hired Danny Givens, who was recommended by another creator I admire. Danny was looking for work and I was looking to hire. Sometimes, it’s as simple as that.

I’ve worked with enough illustrators, designers, and writers to know when to provide direction and when to butt out so they can follow their creative impulses. I’m not going to dictate lines and shading any more than I’m going to dictate seasonings to a chef. It’s the same kind of freedom I appreciate when I’ve taken on a writing job. In my experience, it results in a frictionless relationship. And that’s certainly what I experienced here.

In a recent conversation with another illustrator, I described my philosophy for my art.

I want to give readers enough detail for a scene that allows them to complete the picture in their own minds. It’s a kind of hand-off. In this way, however, I relinquish some control of the story and ownership of it. And that’s perfectly fine. If an artist wants to maintain iron-fisted control over the interpretation of their work, they probably have to keep it hidden from the world. And unshared art is a shame, IMO.

So, I provided some basics about the character and suggested four types of scenes that might make a good visual:

  • Solitude: Tildy perched impossibly upon a branch
  • Action: fighting some of the monsters in the book
  • Friendship: saving her friend Marklin
  • Family: time with her adoptive mother

I let him choose what spoke to him, and then I provided some specifics. Here’s the first sketch, which captured the essence of the scene I provided.

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Chapter One available

Chapter One available

As I mentioned in a previous post that announced the Prologue, I’ve started working on publishing my book, Tildy Silverleaf and the Starfall Omen. As I release chapters, I plan to write an accompanying post that provides a behind-the-scenes look at the work. To skip right to reading the new chapter, click here: Chapter One – Spring in Dappledown.

I started my writing with Chapter One, not the Prologue, because getting a feel for my protagonist and her home were crucial to understanding whether I had a story worth pursuing. I needed to establish my unnamed hero, her home, and the witch she reluctantly called “mother”. The ideas flowed effortlessly from thought to word, and Tildy, as she would became known, nearly flew from the page into life.

I had something.

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What do you call a book without a cover?

What do you call a book without a cover?

I wish I had a better punchline for that set-up. It’s been a long day.

Let’s try another one: if an author writes a story and it doesn’t have a cover, is it still a book?

OK, OK, now I’m just procrastinating.

In a recent post about publishing my book, I mentioned looking for a cover designer. An online gaming buddy connected me with a graphic artist in Australia named Hoomie. Her portfolio was excellent and I found her to be a consummate professional. And as the conversation progressed…I knew she would be out of my price range. That’s on me: I have champagne tastes and a lite beer budget. It’s unfortunate because I liked her and was excited to see what we could accomplish together.

What I was able to witness, however, was an expert who knew the right questions to ask. It required me to articulate things I knew – things churning about in the cauldron between my ears – but hadn’t put into words. I find this extremely valuable because it’s challenging to distill thousands of hours of writing time into an engaging and succinct description. I’ve written about the importance of it here: Learn about your writing by talking with people.

The following questions are among the things I will continue to contemplate in this and future writing projects.

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Writing Exercise: Monday Positivity

I’ve been trying to work on my positivity.

Correction, I’ve been working on my positivity.

CORRECTION: I have improved my positivity.

It’s tough. I have a pragmatic, neurodiverse, and often all-or-nothing view of the world. I like to identify problems and find creative ways to fix them. I’ve often said that the old Lexus commercials of the 1990s especially resonated with me.

a car with martini glasses stacked in a pyramid on its hood
Lexus: The Relentless Pursuit of Perfection

As I’ve matured, I’ve come to understand that this also creates the relentless pursuit of imperfection. Nothing is ever good enough, which often means, things remain bad until they are. It’s a helluva thing to overcome to publish a book. But if I put my “reason mind” to work (If you want to publish, you have to stop puttering about), it begins to drown out the “emotion mind” that’s often loudest in my head (Just one more edit and it’ll be perfect. Just one more. You’re so close. But just one more.)

This morning, I was looking for a way to start my Monday with a positive attitude, which is tough for many of us. Part of our social contract in America is commiserating over the start of the work week. It’s probably a multi-million dollar industry, when you consider all the merchandise dedicated to grumpy Mondays.

I thought back to how good my Friday was. It started with this: A Day Bright, and Full of Promise. It was a simple writing exercise that got my brain moving, and the creative outlet got those feel-goods coursing through my veins.

Instead of simply jumping into work, with who knows what surprises awaiting me, I took a few minutes to jot this down in a coffee shop.

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Chapter available: Prologue

A few weeks ago, I started publishing my book on this site. My intent was to finally, actively, truly work toward publishing it in full digital and physical formats, instead of cowing to those fears that always tell you: It’s not good enough. It’ll never be good enough. There’s a point where the author has to listen to voices that aren’t internal. When Trusted Readers regularly provide positive feedback and encouragement, that should carry more weight.

It does carry more weight.

This post isn’t simply an announcement, though you can start reading this chapter here: Prologue: The Children’s Gifts. Consider it a behind-the-scenes look at how a chapter and book come to life. I might not have this context for every chapter I release, but we’ll see. It’s very easy for a writer to procrastinate when fun new post ideas come to mind.

Prologues have been integral to fantasy books for decades. Thoughts on this are cyclical: from “must-have” to “cliche” to “must-have” and around again. IMO, if your writing is chasing what’s fashionable, you’re doing your story a disservice. You’re also not being honest with your Readers, which to me, is the more egregious matter.

Early on, I knew I wanted a prologue for each of my books, and they would all have a corresponding epilogue, as well. This was part of a larger decision: each book is told from the hero’s point of view. You know what they’re thinking, you see the world through their biases, you see how they grow based on their reactions to stress and other factors. Which meant I had a problem for the antagonists of the series. How do I help the Reader understand the machinations of their schemes?

I didn’t want to keep any of that hidden from Readers. In Lord of the Rings, you get a limited sense of Sauron’s plans. The Harry Potter series offers a little more visibility to Voldemort through a prologue or monologue. I wanted more for my Readers.

And so, the bookends of the story are devoted to the primary antagonists of the series: the dark god Delosh and Its thrall, the Mellifluent, the last survivor of a genocide committed by its master. This is where I communicate their motivations and plans, but also how the actions of our heroes affect those plans.

When I wrote the prologue, I took inspiration from the cinematic opening to the Fellowship of the Ring and the writing of Tolkien himself. It was formal and grand; it had depth and history; and it had necessary exposition to set up the entire series, not just the first book. It was heavy.

It was too much. And Trusted Readers were right to call me on it.

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Writing Exercise: A Day Bright and Full of Promise

It was time for the school bus. Following Benji, I stepped into a beautiful Autumn morning. As though someone spoke to me, this line popped into my head.

A day bright, and full of promise

I stopped in my tracks, my brain beginning to answer the question I no longer had to consciously put into words: “What happens next?” Even after so many years of writing, I continue to be surprised by the amount of creativity sparked by that simple question. Most notably, What if I paused my writing about the lost prince and started a female-centric story about his sister?

It’s a tip I use not only for writing, but in my office job, as well. “OK, we have an issue. What happens next? And then what?” And so on.

The following is about 2 minutes’ work. It’s a minor piece of writing, but I wanted to capture it because it helped inspire me. It’s about having days ahead of you that you want to spend writing. It’s the promise that you’ll create something worthwhile. It’s the power of positive thinking, if you will.

It’s Hope.

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