Work Ethic

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Considering Reader Needs

This post is about a 6-minute read.

I’d started a different post to talk about my book launch – OCTOBER 1! – and got sidetracked by a worthwhile question. So instead, I decided to write about helping other humans. This post will give you some starting information about digital accessibility.

Accessibility means designing products, places, services, and digital tools so that everyone can use them, regardless of their physical or cognitive abilities.

“What’s good for a few can be good for all.”

– the witch, in Tildy Silverleaf and the Dungeon of the Dreadwyrm

Am I using a good color for people with eyesight issues?

I’ve had a basic style guide for my website pretty much since the beginning. I’ve made updates here and there, and I’ve recently been wondering if the text color for links popped enough. I’ve been using a deep green, wanting to reflect the forest setting of Tildy Silverleaf and the Starfall Omen.

OK. Hypothesis; time to test.

I started experimenting with lighter greens, and for the most part, they seemed like an improvement. Before I changed my style guide, however, I wanted to check the accessibility score of the color.

  • This random text helps illustrate how a color might pop or blend into a white background. It’s important to consider color blindness or other eye conditions that might make the font difficult to read.
  • This random text helps illustrate how a color might pop or blend into a white background. It’s important to consider color blindness or other eye conditions that might make the font difficult to read.
  • This random text helps illustrate how a color might pop or blend into a white background. It’s important to consider color blindness or other eye conditions that might make the font difficult to read.

I used Gemini just the way I’d use Google Search, and here’s how it advised me to improve my website experience for other humans:

Gemini: Yes, the bright green #37B904 presents significant accessibility concerns across contrast ratios and color vision deficiency (color blindness). 1. Color Contrast Failures (WCAG 2.1): The relative luminance of #37B904 sits in a mid-tone “dead zone” where it fails accessibility standards against both light and dark backgrounds. 2. Red-Green Color Blindness (Deuteranopia & Protanopia). Recommended Alternatives: Use a darker green to hit the 4.5:1 ratio minimum (e.g., #247B02 or #1E6B02).

Let me translate. The #37B904 is the digital code for this particular color green. WCAG is a set of standards to ensure online content can be viewed by humans with a variety of conditions. If you want a little more info, read the entire post.

So, I tried Gemini’s suggestions and a few other colors. Then I measured my original green, which met or exceeded a number of guidelines and scored better than any other test. So for now, I think I’ll keep my choice, but also continue to underline all links (in my lifetime I’ve seen the invention of hyperlinks, which used an underlined light blue font, and I’ve seen modern sites that use no unique styling to indicate a clickable link, which feels like a miss, even if it makes the overall page a little cleaner-looking). Between my color and underlining, I’ve got 2 different ways to help users interact with my site. It feels meaningful, but it’s also a reminder that there are probably other things I can do to improve.

I hope this helps! If you want to learn a little more about accessibility, hex codes, and why an author should care, read on!

–Mike

What is WCAG?

The Web Content Accessibility Guidelines are the international rules for making digital content usable for people with all kinds of abilities. The guidelines are broad, many, and updated regularly, which can make following every single one a very challenging task. Understanding even a little bit of this, however, will also ensure you’re not doing funky things that impact every reader. Such as putting grey text on a mint background, which would look like this (it says, “which would look like this.”).

What are Hex colors?

A classic Far Side cartoon in which a dog considers the chalk board that two scientists are using. One says, "Ooooooh....Look at that Schuster....Dogs are so cute when they try to comprehend quantum mechanics."

In school, many of us learned the colors of the rainbow thanks to Mr. ROY G BIV (red, orange, yellow, green, blue, indigo, violet). So, I’m going to level up your knowledge just a smidge.

A hex color is a six-digit code used in digital design and coding to represent a specific color, starting with the basic red, blue, green (RGB) palette. Hex is short for hexadecimal, which is a 16-digit numbering system (0123456789ABCDEF), unlike our standard decimal system (1-10); it’s how we tell our masters the machines which very specific color we want.

  • Format = #RRGGBB
  • Lowest intensity = 00
  • Highest intensity = FF
  • #000000 is white
  • #FFFFFF is black

I originally went to college for computing programming, and hexadecimal still gives me a headache.

Dammit, Jim, I’m a writer not a software developer! Why, oh why would an author care about this stuff?

It would be very easy to say, “I just wanna write” or “this is too complicated”. My response would be, as an author I have a responsibility to connect with as many humans as possible, and since we live in an age where answers can be delivered instantaneously, a little AI Q&A can go a long way to informing us. I’m sharing this info to give others a starting point from which they can make their own decisions about learning and changing. Do some research; do some good!

And when it comes to publishing, the more production aspects you’re doing yourself, the more you’ll need to understand. I do everything on the website and I self-publish. RGB and Hex are for digital (WordPress uses Hex; MS Word uses both). Actual print, y’know, on paper, has different color standards: CYMK (cyan, yellow, magenta, black). When I was exporting my cover from Canva, this was an important to select.

Do you or I need to be an expert on any of this? No, but new knowledge is a good thing in my opinion. Helping others is even better. It could also save you some missteps on your writing journey, and gods know there are a heckuva lot of steps.

(C) Michael Wallevand, September 2026

decorative image of twisting ivy vines and leaves
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So Mike, How Many Books Ya Working On?

Oh, Ok! That’s a good question.

Over the years, I’ve spoken about starting Project Two and Project Three, and sometimes it’s hard to keep track. What are the chances my answer is “more than one”?

A physical proof copy of TILDY SILVERLEAF AND THE STARFALL OMEN just shipped and it’s scheduled to arrive Monday! I can hardly begin to imagine what it will feel like to open that box and hold my book for the first time. This journey started more than ten years ago, and many times I thought the day would never come. To be honest, many other times I considered giving up and destroying the book due to soul-crushing self-doubt. I imagine it will take a few days to fine-tooth-comb the print to verify it’s ready for sale.

I honestly can’t believe I’m finally at this point.

So that’s technically one book. Number two is the ebook version of that. You might think that would be an easy task, considering I already have a finished manuscript, but they require different formatting. Some of that is a real pain in the rear because of the effort I put into the interior design. I also lose control of the font because readers can choose their own. That’s, sigh, not the end of the world, but I used different fonts a few times to create an experience for readers. Fortunately, my favorite example of this, “Thems Trolls” survived due to some creative thinking I’d done when I wrote that verse a few years ago. Once I wrangle the formatting, we’re ready to publish. So, that’s two books I’m working on.

Of course, I’m not stopping there. Oh no. This is a millennia-spanning epic fantasy tale with many stories to tell.

Last week, I started a novella that spawned from some tough choices in Starfall Omen. My original storytelling strategy had a prologue and epilogue for each book that told the tale of a third character: the Mellifluent, the indentured servant of the Dark God, who had its own schemes involving the royal children, who are now known as Tildy and Samor. But, “murder your darlings” they say, and the prologue was a regular source of criticism by Trusted Readers. So it had to go. It was slowing down the opening of the book significantly. As they say in Monty Python:

GIF from Monty Python and the Holy Grail, which shows an impatient army shouting "Get on with it!"
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Chapter available: Prologue

A few weeks ago, I started publishing my book on this site. My intent was to finally, actively, truly work toward publishing it in full digital and physical formats, instead of cowing to those fears that always tell you: It’s not good enough. It’ll never be good enough. There’s a point where the author has to listen to voices that aren’t internal. When Trusted Readers regularly provide positive feedback and encouragement, that should carry more weight.

It does carry more weight.

This post isn’t simply an announcement, though you can start reading this chapter here: Prologue: The Children’s Gifts. Consider it a behind-the-scenes look at how a chapter and book come to life. I might not have this context for every chapter I release, but we’ll see. It’s very easy for a writer to procrastinate when fun new post ideas come to mind.

Prologues have been integral to fantasy books for decades. Thoughts on this are cyclical: from “must-have” to “cliche” to “must-have” and around again. IMO, if your writing is chasing what’s fashionable, you’re doing your story a disservice. You’re also not being honest with your Readers, which to me, is the more egregious matter.

Early on, I knew I wanted a prologue for each of my books, and they would all have a corresponding epilogue, as well. This was part of a larger decision: each book is told from the hero’s point of view. You know what they’re thinking, you see the world through their biases, you see how they grow based on their reactions to stress and other factors. Which meant I had a problem for the antagonists of the series. How do I help the Reader understand the machinations of their schemes?

I didn’t want to keep any of that hidden from Readers. In Lord of the Rings, you get a limited sense of Sauron’s plans. The Harry Potter series offers a little more visibility to Voldemort through a prologue or monologue. I wanted more for my Readers.

And so, the bookends of the story are devoted to the primary antagonists of the series: the dark god Delosh and Its thrall, the Mellifluent, the last survivor of a genocide committed by its master. This is where I communicate their motivations and plans, but also how the actions of our heroes affect those plans.

When I wrote the prologue, I took inspiration from the cinematic opening to the Fellowship of the Ring and the writing of Tolkien himself. It was formal and grand; it had depth and history; and it had necessary exposition to set up the entire series, not just the first book. It was heavy.

It was too much. And Trusted Readers were right to call me on it.

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Writing Exercise: A Day Bright and Full of Promise

It was time for the school bus. Following Benji, I stepped into a beautiful Autumn morning. As though someone spoke to me, this line popped into my head.

A day bright, and full of promise

I stopped in my tracks, my brain beginning to answer the question I no longer had to consciously put into words: “What happens next?” Even after so many years of writing, I continue to be surprised by the amount of creativity sparked by that simple question. Most notably, What if I paused my writing about the lost prince and started a female-centric story about his sister?

It’s a tip I use not only for writing, but in my office job, as well. “OK, we have an issue. What happens next? And then what?” And so on.

The following is about 2 minutes’ work. It’s a minor piece of writing, but I wanted to capture it because it helped inspire me. It’s about having days ahead of you that you want to spend writing. It’s the promise that you’ll create something worthwhile. It’s the power of positive thinking, if you will.

It’s Hope.

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Waiting is the hardest part

We’re sitting in Children’s Hospital this morning while our son Benji has a heart procedure. As medical procedures go, especially ones concerning your child, an invasive cardiac electrophysiology and ablation is relatively straightforward and routine.

And yet, it’s a medical procedure involving the heart. Of your child.

It’s a hard thing to watch him wheeled away, even when you have absolute faith in the medical staff. It feels impossible to let him go. And yet, you do.

Then you sit. Then you wait.

And wait and wait.

I thought I might play games on my Steam Deck to pass the time, either some brainless distraction or immersive experience, but my wife wisely suggested I try writing instead. So, I brought the laptop and left the Deck behind. An easy decision, I had hesitation, nonetheless. You see, writing has been hard for the last, hmmm, 18 months or so as stresses piled upon each other. I was out of practice and easily distracted.

As we sat in the waiting area, I set my phone aside and opened the laptop. I’d recently started an alternate prologue for Tildy Silverleaf and the Starfall Omen that brought the reader into the action sooner. The approach was more Show and less Tell, and based on feedback Trusted Readers had provided, I thought it would be better received. As I read through rough paragraphs, the visuals resurfaced in my mind. Perhaps it is more accurate to say that I submerged into the world I’d created.

And I wrote.

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Author’s Journal – I Put Myself In Editing Purgatory

Altar from Franciscan Monastery of the Holy Land in America, Washington, D.C.

In December 2019, I finished the final draft of Tildy Silverleaf and the Starfall Omen. I exhaled, wrote a post, and put the book aside for the holiday season, intent on querying in 2020. I started researching agents over the winter and began querying in earnest in early spring.

Around that time, rumors had begun, followed by vague news reports, about a new disease that would eventually be known as Covid-19. In March 2020, I said goodbye to my office desk and began working remotely for nearly 3 years. In May, riots erupted in Minneapolis and elsewhere over the murder of George Floyd. As the year progressed, the political landscape in America became fraught, then angry, then vicious, and civil discourse became less common.

The world seemed to stop.

And so did I.

I tried to write, and in two years, I had about 100,000 words of my next book, which featured Samor, Tildy’s brother. There was some joy, but the weight of things beyond my control pressed upon me, and the work became more grind than pleasure. I struggled to recapture the magic.

I decreased my blogging output in that time, too. After all, what did I have to write about my process? I wanted to share positive things and my passion for writing, but they were hard to think of, much less give enough attention to bring to life. There seemed to be more important things in the world.

I started Project 3 in that time, hoping a return to Tildy’s familiar story would help me push through. For a time, it did.

It wasn’t enough.

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Difficult Story Choices #2

I knew it was coming.

I didn’t want to admit it. I figured if I kept these parts in the book, eventually I’d find a way to make the passages work.

But the writer knows. You know when it’s not going to work long before you concede the reality.

And then about a week ago, I wrote this note which sealed their fate: “Repurposing these words to the Elf would move the Dragon to Samor Book 2; at which point all the other Dragon stuff could be moved out. I’ve been struggling with their purpose for a while.”

Even then, it took a few more days before I started yanking stuff from the manuscript. I once again followed the advice of Stephen King, who was borrowing from Sir Arthur Quiller-Couch:

Murder your darlings
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My Writing Freaked Out a Rock Star

Writing inspiration comes from everywhere. Looking out a window or considering how a person might react to a situation or watching your kids play. In this example, it came from the song “Iris” by Goo Goo Dolls.

“You bleed just to know you’re alive.”

When I wondered what might cause a man to literally, not metaphorically, do such a thing, the story erupted from me. It was the writing experience I’d always imagined, though rarely had. And it came from questions that followed one after the other, piling up until I couldn’t type quickly enough.

More than fifteen years later, I still recall the first scene. A man in a cheap apartment staring at himself in a grimy mirror and hating what he saw. He picked up the razor blade, as he had many times before, and cut his wrist. A single droplet of blood fell into a claw-footed bathtub. As he watched, his cut healed and he screamed in helpless rage. He slashed again and again, healing again and again…until he didn’t. He breathed a sigh of relief. Soon, it would finally be over.

While there’s a violence and hopelessness to the scene, I believed the book would be a beautiful take on the unrequited love story: A man who heals others and himself, and the nurse searching for the person performing miracles in the streets. He falls in love, but will never tell her, never end his self-imposed exile, because his body is too scarred, his psyche too damaged. He’s unworthy of redemption. To further quote the song, “I don’t want the world to see me ’cause I don’t think that they’d understand.”

A few months later, I had the draft of a 30,000-word novella.

Fast-forward to sometime in 2006. Goo Goo Dolls were promoting their latest album, Let Love In. I worked in the Best Buy Music department, and we were often a stop for such junkets. Artists would talk about the album, maybe spin some tracks or perform, and then we’d often get a chance for handshakes and pix. It was the coolest job perk I ever had.

It’s key to understand that “meet and greet” is a brief encounter. Obviously, no one’s making friends, but it is a chance to say a few kinds words or ask a question before quickly moving on. Sometimes, it’s idle chitchat; other times, you get to thank someone for a meaningful impact they had on your life.

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Oh, You Just Sat Down and Wrote?

It’s 7:30 on a Sunday night. Beside me sits a glass of whiskey and ice. I’ve poisoned it, some might say, with Coca-Cola. And that’s fine for this ending to a long day because I’m desirous of the effects, if not so much the taste.

Much of these first three paragraphs was written, and re-written in the car this evening, while listening to Neil Gaiman’s The View From The Cheap Seats (It’s one of three books I’m currently enjoying. The softcover Brimstone by Preston & Child sits beside the whiskey glass and Harry Potter and the Sorcerer’s Stone awaits my ears when I get to bed, whenever that might be.).

The Gaiman writing is good, as he usually is, but I think there’s more than that pleasure contained in this particular work. It also contains some unspoken encouragement for writers, and I wonder if other people realize that when they read it.

I’ve hardly been writing since the pandemic was declared in March. The Gaiman book, and another huge relief that occurred this week, have served to remove some of the weight that’s been crushing me. Today, some pent up energy was released.

I’ve already mentioned that I began writing this post ahead of time, and that’s much like the new story I sat down to type this morning. Similarly, it formed in my head before I knew I was going to do any writing. As I showered today, two distinct lines popped into my head, as though I had discovered a thing that existed or was remembering something whispered to me in my sleep.

The first was a title: The Time Travel Tinkerer.

The second was the opening: Putter was a tinkerer, a time traveler, and a bastard. At least, that’s how people would have viewed him, if they’d known what he’d done. Or would do, depending on their places in time.

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Squeezing in writing time

As I mentioned in Whatcha writing during isolation?, I hadn’t been doing much writing. Thinking, yes; time at the keyboard, no. I also stated that I was taking a break.

I think that means different things to writers than many other people. You see, much like the famous Ross and Rachel argument on Friends, whether I was on a break could be debated.

We. Were. On. A. Break!

Since it’s Fathers’ Day, and I’m writing, I think you know the winner in my particular debate.

I was putting a lot of thought into the future of the series, and I don’t mean whether I’d get published or whether I should shelve the project. I was contemplating the ongoing storyline and the eventual intersection of Tildy and her lost brother, Samor (for a little preliminary info on him, go here: the Prince).

Much needs to happen to create the dynamic between them when they meet. Without being too spoiler-y, they are both heirs to the throne. Due to the patriarchy of their society, many will favor him; however, as the first-born, Tildy will also have a legitimate claim, as far a many are concerned.

Before I digress too far, there are beats in the story that must be hit and I need to determine the best books for them to occur. When does Tildy realize this? Book 2. When does Samor achieve that? Book 3. And so on.

So, I’ve been taking notes. Lots of ’em.

Yesterday, I found myself with a little free time. I pulled up Evernote and started popping notes into the appropriate manuscripts. After an hour or two, I’d added maybe 30 total notes into nine manuscripts. You can verify that here: Progress Tracker.

That’s….an ambitious project.

Yeah, which is why I need to understand where the overall story is headed. Otherwise, the – let’s call it writing math – isn’t going to add up at the end.

Equally important, it was a telling thing because I wasn’t “in the writing mood” and the house was hardly free of distractions. The perfect writing environment isn’t sustainable for a married guy working through a pandemic as Summer arrives with two dogs and two kids. I’ve changed my approach to ensure I’m spending my time working, not waiting. Fortunately, I started that transformation years ago.

For me, writing has never been limited to words appearing on a page. Having a similar philosophy will help you spend more time working and less time waiting. Good luck!

–Mike

Enjoy what you just read? Leave a comment or like the post and we’ll ensure that you see more like this!

© Michael Wallevand, June 2020