Twenty-four bucks for a quarter turn

Our washing machine stopped working this week. It wouldn’t proceed to the spin cycle, which meant water didn’t drain. I tried some rudimentary troubleshooting, which led me to believe it was the washer lid switch. I was pretty sure I could figure out how to replace it. Anything more serious, and I’d have to hire someone.

It actually took more time to scoop water from the tub than to replace the part. At least it should have. The ground wire ran to a screw on the underside of the top of the unit, which meant a tight space at an awkward angle. I tried a variety of wrenches and pliers but couldn’t get the grip I needed.

After 30 minutes of frustration, I ran to the hardware store for the right tool. A ratchet socket wrench for $24. I wasn’t thrilled, because that was more than the replacement part, but I wanted to get the project done. Fortunately, it was the perfect fit.

The screw loosened after a quarter turn.

–broken washer lid switch–

And I thought, “a 30-minute round trip and twenty-four bucks for a quarter turn?” And then I concluded, “worth it”. I didn’t have to hire someone, and we could use the washing machine right away. With five people in the house and three dogs, it gets regular use, and we already had some piles.

But Mike, this is a writing blog, not a DIY fix-it website. I guess I better connect this story to writing, eh?

If you’ve spent any time writing, you’ve probably had a similar circumstance. You’re looking to rewrite a sentence and one of the words isn’t quite right. You have a decent vocabulary, so you type and rewrite, type and rewrite. Maybe you even have some tips or tools that usually help. Frustration probably sets in. At some point you grab the thesaurus, searching for the word with the exact nuance you need.

Blue is too common; azure and cerulean are too fancy. Aquamarine throws off the flow of the sentence. And there it is! Cobalt!

Looking back, it took you 30 minutes to find that perfect word. And without further ado, that job is done. It seems so simple in hindsight, and maybe you chastise yourself because you think you wasted time.

So what’s the message for writers, Mike? Well, I have two. First, I believe we are a different breed, and 30 minutes to find the perfect word is a perfectly acceptable use of our time. We should relish the victory that other people are incapable of enjoying. Hopefully, this assuages any guilt you have the next time you go through a similar situation!

But speaking of 30 minutes, it also can result in something like this post, which brings me to my second point. The title for this post “Twenty four bucks for a quarter turn” literally came to me as I completed that turn and the post pretty much wrote itself after that. Thirty minutes can result in a single word or five hundred. Both are valuable. Writing is a funny thing, isn’t it?

Good luck with your writing!

Mike


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© Michael Wallevand, May 2023

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Writing Exercise: Memorial Day tribute

I planned to delve into writing this weekend, mixing those responsibilities with other chores around the house. I needed to regain momentum on Project Two, which had stalled during the pandemic; ironically, I was also fighting the lingering effects of my own bout with Covid. I knew I would have plenty of optimism when I finally sat at the keyboard, even if I had no idea where to begin.

That’s when Serendipity paid a visit.

Goodnight, Saigon by Billy Joel came up on my playlist, and his lyrics drew me in like I was watching a movie. I don’t know if you’ve experienced this, but your mind’s eye takes over, even as your body goes through the motions of dressing and pouring coffee. I’m not even sure of the sequence of events: my mind connected the song to Memorial Day and a scene where Samor rejoins his companions after they’ve lost someone. There was nothing; then there was something.

I grabbed the computer, put the song on repeat, and 30 minutes later, I had this.

Samor greeted his companions as they gathered to him. Their welcome was genuine, their words warm. But he read something else on their faces that he hadn’t seen before. Or rather, he realized he hadn’t had the skills to interpret the tragedies that lay there. The worry that creased Hochness’s brow; the crow’s feet that used to merrily step away from the corners of Oafsson’s eyes. Even the betrayer Chork, addled as his mind remained, seemed more sedate against the bonds that held him to the litter. A weight drug at them all, anchoring them to the battle where they’d lost their friend and compatriot. The look of survivors, a mix of gratitude and guilt, made worse by each condemning beat of their living hearts.

His past naiveté angered him, but mostly it saddened him. No words seemed important enough, nor considerate or meaningful enough to break the silence of the moment. And so, he took his cue from his friends, yes, that is what they were now, and he embraced them silently and exchanged knowing looks that would have been inscrutable to the person he used to be. In the strength he gave, he felt more returned. They knew he knew. They accepted him and were grateful that he offered to share the burden.

Samor recognized this understanding wouldn’t have come from a lifetime of study. Simple words upon the page were shallow, going no deeper than the ink that sank into the paper – practically lies for their misinterpretation of the awful reality. The knowledge was horrible, and he wished he’d never acquired it. A small voice between his ears reminded him it was a necessary experience for the future leader of Empyrelia, a land destined for war, but he could derive no comfort from that. He hoped he never would.

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Writing Exercise: Sometimes You Climb

A note to our son Sam, as he’s training to be a climbing instructor at Scout camp. I share it here because it was too long to text. Pfft, writers.

Sam,

I know you had your eyes set on the aquatics director role and how you were disappointed when circumstances beyond your control prevented it from happening this year. However, when I heard you were moving to the rock wall, I thought, ”Now THERE is a role that perfectly suits Sam.”

And so, if you’ve forgotten how much you loved climbing as a kid, I wanted to share three climbing-related moments from your life.

The first happened when you were three, which would have been the Summer of 2003. You were playing in the backyard, and me, still a relatively new parent, assumed you were safely contained by our six-foot stockade fence.

You weren’t. When I opened the front door in response to a tiny knock, you stood there, smiling and oblivious to any of the thousand perils my worried parent’s mind instantly conjured, not least of which were the dangers of traffic or falling onto the concrete pad. To your mind, an obstacle three times your height was a trifle. And a fun one.

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I’d been thinking about quitting

I didn’t want to write this post.

I’m sure some of that came from the societal stigma about showing vulnerability and my extreme reluctance to share personal aspects of my life. I think the greater issue, however, was the fear that such an admission would transform thought into reality if it reached the written page.

I wrote a draft of this post in mid-September after a rough couple weeks, when stressors and disappointments had piled upon another. I’d found myself angering easily or venting frustration in situations where it wasn’t warranted. My novel always appeared to be the catalyst: not having time, not being inspired, delivering garbage when I did sit down.

It wasn’t the first time I’d had similar feelings, but these were more acute and my defenses were down.

My writing time was precious and I was wasting it, and this realization was eating me alive.

There’s a betraying voice in your head that suggests the simplest solution: Quit doing the thing that’s causing pain. Just walk away.

Because writing is the primary way I express emotion, my head started drafting a post along those lines. The admission hurt, and that feeling intensified as I fleshed it out, because it reflected the abandonment of something I’ve wanted my whole life.

I sat at the computer that morning with little optimism and a negligibly more determination. I didn’t want to write this post…and I told myself over and again that I was pretty sure I wasn’t quitting.

Then I happened to read the following passage I’d copied from a book, and my perspective changed.

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Word Casualties #10 – For the love of all that’s holy

Sometimes….you might just plop gibberish upon the page.

When I’m in the zone, I type around 100 words per minute. That’s not elite status, but I’m definitely moving. My brain, however, is processing the story much faster. Passages aren’t necessarily being fed to the page in order, and oftentimes, sentences aren’t landing with the words in their intended sequence. It’s a bit of a wires-crossed thing that requires some adaptation, patience, and editing.

An unfortunate, though sometimes hilarious consequence, is some serious gibberish. Although it breaks my rhythm, I usually delete these things immediately because they’re too horrid to live on the page another moment. However, since I started this series of Casualties posts, I’ve decided to save some of the better ones as examples of just how wrong an experienced writer can go.

As always, I’ve created some definitions, and the correct words (if I’ve deciphered them) follow that.

CASUALTIES

Hiuefully – a well-saturated color

Initiatititive – making the first move on a sexy date

Tjamls – beasts of burden that tjaverse the djesert

Habyart – a question posed to the entrants of rural art shows: “Habyart?” “Yessaidoo!”

Consticuous – something stuck to the wall and definitely out of place

Priviledge – born with the right to stand upon the precipice

Viluminous – an evil glow

Predigestion – what happens to chewed food slathered in saliva

Predamentary – the basics for stalking prey

Harbordence – a thick fog hanging heavy upon the docks

Trhaventily – seriously, I got nothing here. A flower? A kind of fancy silk lace?

CORRECT SPELLINGS

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Why I Didn’t Eat Ranch Dressing for Fifteen Years

This post is about 800 words

 If you’re lucky, you’ve had a bad job. It you’re blessed, you’ve had a terrible job.

I’ve known people who have worked themselves up from near-squalor and I’ve known others who’ve had charmed lives and probably never washed actual dirt from their hands. No judgment either way from me. I can’t begrudge people for the lives into which they were born.

But there’s something to be said for having a career where everything didn’t go your way. Not only are these opportunities to see how you deal with the crucible, but they add a different level of appreciation to what you’ve achieved.

Here’s an example from my own varied work history.

In college, I worked for a temp agency that regularly sent me to a food processing plant. Most of the jobs were mundane: picking burnt chips off a conveyor belt or pulling mislabeled cans off the line. I could literally turn off my brain while I did these tasks, and actually, I wrote a lot in my head during my overnight shifts.

Those aren’t the kinds of tasks I’ll describe here, however.

One night, the shift manager took us to a more secluded part of the factory, where the mercury vapor lights seemed dimmer. As we walked past ovens, labelers, and mixing casks, he explained that we were disposing of ruined food. Bacteria had spoiled a large batch of ranch dressing that had already been bottled. Our task was to open the bottles and pour them into fifty-gallon drums.

You can see where this is going, can’t you?

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Have you tapped into something special?

One never knows. A creative project is an emotional roller coaster filled with self-doubt, self-assurance, and second-, triple-, and quadruple-guessing.

Sounds like a Monday.

There are bleak days and dark ones. These are the times when you wonder if your book would better serve as a doorstop than entertainment. I know many writers feel similarly during the course of a project. It could be an external factor, like your day job, piling upon your feelings of self-worth. It could be a matter of life and love. It could be a change in weather. Or it could be that you’ve read that blasted manuscript so many times, the words might as well be in another language.

Unfortunately, those feelings can create powerlessness, creating doubts that are very difficult to overcome. It’s the reason that so many of us have abandoned drafts that we keep promising we’ll return to someday.

We’re often waiting for perfect conditions that never arrive.

When we’re honest with ourselves, truly honest, we recognize that those days are more exception than rule. There are also good days, which are more rule than exception. Even better, we have those moments when it doesn’t feel like work. When things are clicking. When you feel you might – just might – have tapped into something special. And it gives you the power to keep going.

So. I’m writing this for other writers to let them know that sometimes, the universe rewards you and reinforces that you need to keep going. Here are three examples of when this happened to me.

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If a book falls in the forest

If a person writes a book and no one reads it, is it still a book? Depending on your reason for writing, your answer will vary.

I write for a variety of reasons – relaxation, brain exercise, practice my craft, gottagetthatdamnideaoutofmyhead – but I primarily write because I want to entertain people. It’s a need written in DNA, and a novel is the current medium in which I choose to satisfy it (I’ve also dabbled in flash fiction, a novella, pitched a comic series, and currently have two tabletop game ideas I’m exploring).

Looking at it from that perspective, I won’t find success until my writing is in someone’s hands, whether physically, digitally, or in the not-too-distant future, displayed via holographic projection. Said another way, what I’ve written is not really a book until someone reads it. It’s simply a interesting story, perhaps an exercise, occupying a similar paradoxical state as Schrödinger’s cat.

I imagine people protesting on my behalf: Don’t sell yourself short! There’s value in the experience! Simply finishing is a major accomplishment! All these things and more are true. They have value, and I appreciate the sentiment.

But they’re not the things that bring me to the keyboard. However…

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My Writing Freaked Out a Rock Star

Writing inspiration comes from everywhere. Looking out a window or considering how a person might react to a situation or watching your kids play. In this example, it came from the song “Iris” by Goo Goo Dolls.

“You bleed just to know you’re alive.”

When I wondered what might cause a man to literally, not metaphorically, do such a thing, the story erupted from me. It was the writing experience I’d always imagined, though rarely had. And it came from questions that followed one after the other, piling up until I couldn’t type quickly enough.

More than fifteen years later, I still recall the first scene. A man in a cheap apartment staring at himself in a grimy mirror and hating what he saw. He picked up the razor blade, as he had many times before, and cut his wrist. A single droplet of blood fell into a claw-footed bathtub. As he watched, his cut healed and he screamed in helpless rage. He slashed again and again, healing again and again…until he didn’t. He breathed a sigh of relief. Soon, it would finally be over.

While there’s a violence and hopelessness to the scene, I believed the book would be a beautiful take on the unrequited love story: A man who heals others and himself, and the nurse searching for the person performing miracles in the streets. He falls in love, but will never tell her, never end his self-imposed exile, because his body is too scarred, his psyche too damaged. He’s unworthy of redemption. To further quote the song, “I don’t want the world to see me ’cause I don’t think that they’d understand.”

A few months later, I had the draft of a 30,000-word novella.

Fast-forward to sometime in 2006. Goo Goo Dolls were promoting their latest album, Let Love In. I worked in the Best Buy Music department, and we were often a stop for such junkets. Artists would talk about the album, maybe spin some tracks or perform, and then we’d often get a chance for handshakes and pix. It was the coolest job perk I ever had.

It’s key to understand that “meet and greet” is a brief encounter. Obviously, no one’s making friends, but it is a chance to say a few kinds words or ask a question before quickly moving on. Sometimes, it’s idle chitchat; other times, you get to thank someone for a meaningful impact they had on your life.

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Support Your Friends’ Art: Moshi Moshi

Pardon a word of preface before I get to the album I’m going to review. Few in the world are lucky enough to be recognized for the art they create, whether in paints or stone, music or poetry, or movies or books. I believe we can always use more art in the world and that each of us can do our part simply by sharing the things we like. Even if you do not do this, even if you disagree, you still benefit from the artists in the world who are working every day to do something they love. So why not make a meaningful contribution and share something you like? Even better, pay money for something you love.


Moshi Moshi by Ryan and Pony

This post is a review of the album Moshi Moshi, the debut album by Ryan and Pony, friends of ours. And while our relationship predisposes me to support them, I really do enjoy this album. It’s been in my rotation since I bought it.

They fuse dream pop, post punk, brit rock, EDM, and good ol’ fashion rock and roll for a sound all their own,” their website says. I agree. And here’s my impression: It sounds like a synthesis of all the rock and pop music I loved through the 80s and 90s, and it creates something new. The music feels like a natural evolution of that time period, both familiar and fresh. Perhaps I phrase it this way because that’s what I try to evoke in my own writing.

I enjoyed all the songs on the album, but here are the four that have stuck with me from the first spin.

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