This post is about a 5-minute read.
What’s an epigraph? If you’re a regular reader, you’ve seen a page that quotes a poem, song lyrics, or other meaningful sentiments. The author chose it to set the mood, foreshadow, or elicit a reaction from readers. The epigraph page lives in the front matter of novels. Oh. Front matter is all the pages at the front of a book that you skip over. Y’know, the copyright page, dedications, foreword, etc. However, if you enjoy that stuff, this post is for you.
As a supporting task to my writing, I’ve been collecting song lyrics and other quotes that evoke the same feelings I’m expressing in TILDY SILVERLEAF and the STARFALL OMEN and future books. As I mentioned above, I had specific reasons for choosing each of these:

Come closer and see, see into the trees.
Find the girl while you can.
—A Forest, by the CureCome closer, Sen. What would you like?
Just name it.
—No-Face to Chihiro, Spirited AwayThis is my favorite book in all the world,
though I have never read it.
—William Goldman’s 1972 introduction to The Princess Bride
A Forest echoes a feeling that other characters have when they see Tildy in the trees. Spirited Away is foreshadowing. The Goldman quote represents my homage to that wonderful book. If you’re a curious bird who wants to learn more, read on!
Psst…as long as you’re here: Tildy Silverleaf and the Starfall Omen is available October 1, 2026! If you’re looking to support independent bookstores, check out Bookshop.org, who’s currently offering 10% off preorders. It’s also listed in the usual online retailers (B&N, Amazon, Kindle, Smashwords, Apple). Thanks in advance for your support!
A Forest was an obvious choice. One day, I was paying particular attention to all the lyrics on my playlist, as writers do, and when this came on, I sat upright. It was like they were singing the thoughts of the people who caught a glimpse of Tildy within her haunted forest home. I wasn’t considering the epigraphs at the time, but I immediately made a note to add this one.

Come closer and see
See into the trees
Find the girl
While you can
Come closer and see
See into the dark
Just follow your eyes
Just follow your eyes
I hear her voice
Calling my name
The sound is deep
In the dark
I hear her voice
And start to run
Into the trees
Into the trees
Into the trees
Suddenly I stop
But I know it's too late
I'm lost in a forest
All alone
The girl was never there
It's always the same
I'm running towards nothing
Again and again and again and again...
Songwriters: Laurence Andrew Tolhurst / Robert James Smith / Simon Gallup / Matthieu A. Hartley
© Fiction Songs Ltd.
I’ve loved Studio Ghibli movies for thirty years, and Spirited Away has always been my favorite. The setting and accompanying mythology was different from anything I’d seen or read. I still believe it, and I often write with that in mind. Another consideration is this: Studio Ghibli stories don’t end with the killing of the antagonist. Compassion often saves the day. I really like that idea…
Ahem. Segueing from one bit of foreshadowing to another, I chose this quote to foreshadow the temptation heroes often face. I also liked using a movie quote because it reflects my diverse interests in storytelling.
No-Face: [offering a bowl of food] “Try this. It’s delicious. Want some gold? I’m not giving it to anybody else! Come closer, Sen. What would you like? Just name it.”


Late in the writing process, I still had a Prologue no one liked. Trusted Readers told me the heavy, formal tone wasn’t working, even if it achieved my goal of contrasting the lighter style of the rest of the novel. And if that wasn’t enough feedback, a professional reviewer had this advice:
The author of TILDY SILVERLEAF AND THE STARFALL OMEN might consider shortening the prologue in order to get to the main plot more quickly. The prologue is interesting, and has vital information, but could be trimmed significantly for the sake of allowing readers to access the most integral parts of the book more easily.
–The Blacklist
Message received: “Murder your darlings.” So I axed 90% of one of the first chapters I wrote and created a new problem. How do I quickly engage Readers and convey critical info with just a fraction of that original Prologue? I found inspiration in Peter Falk’s wonderful grandfather portrayal in the movie version of The Princess Bride. Not wanting to appear to be ripping off Goldman, I riffed instead, changing the nature of the relationship between the Golden Narrator and the Child, as well as the tone of their interactions. They also serve as a stand-in for the Readers, perhaps echoing some criticisms they had. And so, this quote provides the bridge between that work and my homage.
If you read this far, thank you! I hope you found this behind-the-scenes look interesting. A writer has so many considerations when writing a story, the logistics are often staggering. And so, putting this much thought into a few quotes might not appear to be the best use of time. However, the Reader experience is important to me, so I consider as many things as I can to deliver a enjoyable activity.
Mike
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(C) Michael Wallevand, September 2026









