Writing Exercise – The An-Teak Desk

A writer never knows when inspiration will arrive or from where. Because algorithm, I stumbled upon the podcast of a friend’s wife. It was a clip in which she discussed junk drawers with her friend. They laughed in delight at the idea of the drawer opening up like the wardrobe to Narnia.

An hour later, I had 1,700 words.


Jammie, so nicknamed for her love of footie pajamas, followed her brother Matt up the dim creaking stairs, her eyes fixed on the close-cropped black hair that had earned the slender boy a moniker of his own. “Gramma missed a spot, Matchstick,” she teased, pointing at the tuft on his head.

He reached back and felt for the place, his lips hissing a derisive sound when he found it. “That’s my lucky spot. She says if you find one of those, you’ll be lucky ‘til your next haircut.”

“I think that’s one of those things grown-ups say to hide their mistakes,” she retorted.

He looked over his shoulder as they neared the top of the stairs. “With all that reading you do, I can’t believe you’ve never heard of that.”

“You read as much as I do and I bet you’ve never heard of it, either.”

The dark shape of the heavy oak door emerged from the shadows before them, a dull brass doorknob reflecting the oil lamp at the bottom of the stairs. Instead of reaching for the knob, he turned and looked down at her. “You read way more than I do.”

“Yeah, but you read en-cy-clo-pedias,” she replied, drawing out the enunciation as a sign of reverence. She’d always wanted to enjoy them – knowledge was important, her daddy advised – but she just didn’t have the head for it, her grandma said.

“I didn’t have a choice, you know.”

“But you like them now, right?”

He stared at his sister, her face aglow with wonder and curiosity. Her eyes could drink in all the details of the world, and still her inquisitiveness would not be sated. “I guess. They’re now like reading an old story you know by heart.”

“I know all about that. My books never showed me that symbol you found, though. My stories are all made up, and writers are liars.”

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Oh, You Just Sat Down and Wrote?

It’s 7:30 on a Sunday night. Beside me sits a glass of whiskey and ice. I’ve poisoned it, some might say, with Coca-Cola. And that’s fine for this ending to a long day because I’m desirous of the effects, if not so much the taste.

Much of these first three paragraphs was written, and re-written in the car this evening, while listening to Neil Gaiman’s The View From The Cheap Seats (It’s one of three books I’m currently enjoying. The softcover Brimstone by Preston & Child sits beside the whiskey glass and Harry Potter and the Sorcerer’s Stone awaits my ears when I get to bed, whenever that might be.).

The Gaiman writing is good, as he usually is, but I think there’s more than that pleasure contained in this particular work. It also contains some unspoken encouragement for writers, and I wonder if other people realize that when they read it.

I’ve hardly been writing since the pandemic was declared in March. The Gaiman book, and another huge relief that occurred this week, have served to remove some of the weight that’s been crushing me. Today, some pent up energy was released.

I’ve already mentioned that I began writing this post ahead of time, and that’s much like the new story I sat down to type this morning. Similarly, it formed in my head before I knew I was going to do any writing. As I showered today, two distinct lines popped into my head, as though I had discovered a thing that existed or was remembering something whispered to me in my sleep.

The first was a title: The Time Travel Tinkerer.

The second was the opening: Putter was a tinkerer, a time traveler, and a bastard. At least, that’s how people would have viewed him, if they’d known what he’d done. Or would do, depending on their places in time.

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