This post is approximately 750 words, about as long as a typical flash fiction piece.
I discovered flash fiction a few summers ago. Seemed like the perfect way to churn out quick little stories that I didn’t want to flesh out further. I’m fan of O. Henry and fairy tales, both of which are often very short. For me, sometimes there wasn’t much story to tell, and that was fine. And with a word count of 500 to 1,000 words, it should be no problem cranking something out in less than an hour, especially for someone who’s been typing for more than half his life and finds himself bursting with ideas.
So, oh yes, it was very easy to type quick stories: 1,200 words, 2,500 words, 5,000 words! How in the hashtag was I going to edit down stories of those lengths? Well, for the longer ones, I couldn’t. They would sit, untouched, until I had the time to flesh them out into longer short stories (the 5,000-word one has since doubled in length).
But the 1,200-worder posed a delightful challenge. I just needed to trim my story by 17% (yes, I’m an English major who likes math). That’s probably about what I should be looking to do with my writing anyways. In a story of this length, that was about two paragraphs. I reread the story, looking for a section to cut. And read it again. And again.
I was stuck.
Every paragraph seemed to drive the narrative forward. Every detail seemed critical. After all, why would I put in anything that wasn’t essential, especially when word count was a key consideration? I felt like I had laid a path with paving stones and was now trying to determine which ones to remove. At first glance, it seemed my smooth story would soon be filled with potholes.
All right. I’ll nickel and dime the heck out of it and see what that gets me. Continue reading




To Whom It May Concern:


It’s been a few weeks since my 
But there are holes. Flat characters and scenes. I expect there’s a bunch of garbage to purge, as well as scenes that contradict each other. That’s fine and was anticipated. Unlike that foolish youth I used to be, I understand that your first draft is not your only draft. Stephen King’s rule of thumb is to cut 10% of your first draft here. For those of you who like math, that’s a 9,200-word removal, or 2-3 chapters.

Upon your return to the computer, the black reality sets in. There’s nothing. No inspiration at all. In fact, there are days where I’ve been certain that banging my head against the keyboard would produce better prose than the barely-coordinated tapping of my fingers.