Writing Exercise #3: Halloween Rhymes

This post is approximately 500 words. 

The following verse represents about an hour’s worth of work, which means it’s not highly polished, yet I still managed to work in rhyme and rhythm with minimal effort.

However, if you’ve ever written a verse in rhyme, you know that sometimes it requires a ridiculous commitment to the style. For me, I usually get about three-fourths done before I start to question my decision. It comes around the time I think, “I need a rhyme for itch: ditch, Fitch, hitch, kitsch, liche, Mitch, niche…” Then comes the expectation that the audience will find the verse absurd because stylistic compromises were made just to get a rhyming word in.

Well yeah….sometimes.

But that’s fine. In a writing exercise, you’re not seeking art or permanence. You’re chasing the muse, curious about where she leads. It’s almost disposable writing, which is not to say it’s worthless. To the contrary, it very well could end up in a finished work. But again, that’s not the point. The goal, the real objective, is to keep your writing tools honed. This makes your daily manuscript work easier because you’ve kept your mind sharp.

In the spirit of the Halloween season, I hope you can enjoy this little cautionary tale, written in the style of old nursery rhymes. Continue reading

Moving Full Speed At The Starting Line

This post is approximately 500 words.

As a writer, I’m continually looking for ways to say things differently: more concisely, more interestingly, and perhaps most importantly, in a way that you haven’t read before.

cartoon-elephant-skating-rollers-25462068.jpgOne of the more enjoyable ways to accomplish this is using analogies, a sometimes challenging exercise because a bad analogy will fall on its face like an elephant on roller skates.

Good, you’re still with me, despite what I just did there.

In the process of writing this book, I’ve found a new method to be more productive when I sit down at the computer. But before this morning, I didn’t have a way to convey it to others, at least not a satisfactory (i.e. interesting) one.

I suspect many writers are like me in this regard: we want our typing fingers moving top speed the moment we sit down to write. But – he said with a smile at this understatement – it’s hard. Ridiculously so on some days. Much time is wasted staring at the screen or typing the literary equivalent of “Me am good writer who tell good story.” As much as I despise the word can’t, sometimes a person can’t just sit down and start writing. Continue reading

Flash Fiction: An exercise in editing

This post is approximately 750 words, about as long as a typical flash fiction piece.

I discovered flash fiction a few summers ago. Seemed like the perfect way to churn out quick little stories that I didn’t want to flesh out further. I’m fan of O. Henry and fairy tales, both of which are often very short. For me, sometimes there wasn’t much story to tell, and that was fine. And with a word count of 500 to 1,000 words, it should be no problem cranking something out in less than an hour, especially for someone who’s been typing for more than half his life and finds himself bursting with ideas.

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So, oh yes, it was very easy to type quick stories: 1,200 words, 2,500 words, 5,000 words! How in the hashtag was I going to edit down stories of those lengths? Well, for the longer ones, I couldn’t. They would sit, untouched, until I had the time to flesh them out into longer short stories (the 5,000-word one has since doubled in length).

But the 1,200-worder posed a delightful challenge. I just needed to trim my story by 17% (yes, I’m an English major who likes math). That’s probably about what I should be looking to do with my writing anyways. In a story of this length, that was about two paragraphs. I reread the story, looking for a section to cut. And read it again. And again.

I was stuck.

Every paragraph seemed to drive the narrative forward. Every detail seemed critical. After all, why would I put in anything that wasn’t essential, especially when word count was a key consideration? I felt like I had laid a path with paving stones and was now trying to determine which ones to remove. At first glance, it seemed my smooth story would soon be filled with potholes.

All right. I’ll nickel and dime the heck out of it and see what that gets me. Continue reading

The Edges of Fantasy

This post is about 600 words.

Seven years ago, I was shoveling my driveway for the third time in twenty-four hours. A blizzard was sweeping across the upper Midwest, making up for the lack of snow we’d had that season. I was happy for its arrival. The snow, not the blizzard.

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My preferred method of winter transport. They smell bad on the outside.

I have a routine when clearing the driveway: first define the edges, then push the snow outwards from the middle. That day, it struck me as analogous to how I wrote fantasy fiction, which was different than the way I wrote everything else. I thought I needed to approach fantasy by rigidly defining all aspects of the world before filling in the storyline. I felt I needed to know the limitations of my realm, which really seems counter-intuitive for a story designed to exist completely outside our own reality. Here’s a quick list of the things I wanted to create first:

Races, political history, creation myths, alphabet and language, folklore, weapons, armor, architecture, landscapes and geography, clothing and fashion, fighting styles, music and poetry, racism, and heroic legends

That’s a monumental amount of detail to develop before the main character begins the Hero’s Journey. Even though some story ideas blossomed from this world-creation, I struggled getting to the serious writing before I’d defined every aspect of my new world. Until I’d found the edges.

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“In my rewrite, this shop is on another street!”

That’s the real reason I never got far in my original fantasy novel. But man, oh man, I really enjoyed defining those things, which is part of the trap, right? It’s exhilarating to play god in your own little world, even if the devil is in the details. I might have put down 100,000 words on paper, but more than half were notes and definitions and guidelines and rules, rules, rules.

Consequently, I abandoned that epic fantasy novel, despite having created several maps, dozens of characters, and components of everything else on my aforementioned list. It was the right decision. It was too big for me and was going to get in the way of the rest of my life.

I knew I would eventually return to this world when I was ready. Continue reading

Blogging takes away from writing time?

This post is about 350 words.

You want to be a writer. You think you’ve got a brilliant author inside you, struggling to break free. The only way you’re going to become that person is devote all possible time to that endeavor, right? Maybe.

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But perhaps you’ll go crazy if that’s your only outlet.

Like food, drinking, and hobbies, it’s all about moderation. Indulging too much will make you – where is this analogy going? – a fat, drunk, hoarder of words? Well, you’ll burn out, at any rate.

There will be times where you can’t look at your manuscript for one more keystroke. Other times, you’ve got nothing left in the tank. Or worse, you can do nothing but question your desire and ability to write the Great American Novel.

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Continue reading

Writing Exercise #1: Be Uninspired

This post is about 500 words and was originally posted on LinkedIn.

If you like to write (or like the idea of writing but hate the difficulty of it), I have an exercise for you to try. I used it to create this article.

Many of us have had those glorious days where the words are flowing to your fingertips faster than you can type. It’s effortless. It’s a wondrous feeling that re-establishes your faith in your abilities and confirms that The Great American Novel is just a few sessions like this from being completed.

Upon your return to the computer, the black reality sets in. There’s nothing. No inspiration at all. In fact, there are days where I’ve been certain that banging my head against the keyboard would produce better prose than the barely-coordinated tapping of my fingers.

This is where my exercise comes in. Trust me, it works. Continue reading

Writing update: June 17, 2016

This post is about 250 words.

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A quiet house tonight put me in the exact frame of mind to crank out a few thousand words: mostly new, but some came from light editing. Over the last few weeks, I’ve been filling in some gaps (intros, transitions, chapter ends), and tonight saw more of the same.

I also worked on the intro to the final conflict with the primary antagonist, shifting and re-shifting sections as I tried to find the right sequence of information delivered by the dialogue. It’s a complex section that recaps information from earlier in the book, parts of which are not fully fleshed out yet.

Then I saw the word count pass 90,000 words.

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I’ve exceeded my word count range (though I expect to cut a number of things in the second draft). It’s now twice as long as anything I’ve ever written, which feels pretty good. But as I find myself beyond the self-imposed deadline of the first draft, I wonder how much more fleshing-out is required before the draft is done. I might have to stop at 100,000 words because that’s a pretty long book for a first-time author, as well as for the audience I’m trying to reach. I’m not one to limit a story to satisfy a metric like word count, but compromises are sometimes required. We’ll see.

–Michael

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© Michael Wallevand, June 2016, except images from Superman: The Animated Series and Clue.

Homage vs. Plagiarism #1

This post is about 650 words. It should also be noted that book and images discussed below were copyrighted by TSR Hobbies in 1982.

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This is a book from my childhood, entitled Return to Brookmere. It’s #4 in the Dungeons & Dragons Endless Quest series. As you’ve probably guessed from the worn cover, it is a beloved, multiple-read, go-everywhere favorite. While not high literature, its influence on me as a reader and writer cannot be overstated. It’s likely to make multiple appearances on this site, btw.

As such, I wanted to do it proper homage as a way to say thank you to author Rose Estes, as well as D&D itself.

I hadn’t read the book in a few years, though it had a place of honor on my bookshelf. One element that stuck with me for more than three decades is the magical amulet, named the Mouth of Mimulus, or simply Mim. Shaped like a dragon’s head, this animated charm offered advice and commentary on the adventure. I don’t recall much backstory being written, however.

Mim 1In my own story, I was looking to create another advisor for Tildy, someone to serve as a counterpoint to the witch, Tildy’s adoptive mother. I also wanted a way to have Tildy work through some of her own concerns without always relying on inner monologue. I didn’t want to add another companion on their journey, but if the advisor was also a secret, this could lead to future conflict. When I recalled Mimulus, I knew I had the inspiration I needed.

Thus, the magnificent amulet Mumnambulen came to life. Mum, for short. Continue reading

Writing update: June 6, 2016

This post is about 400 words.

 

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If I type any faster, I’ll get a cramp.

It’s been about a month since the last official update. To me, it feels like I didn’t make much progress. Some progress, yes, but not a ton. A quick check of the word count tells me I added about 12,000 words or 24 Word doc pages.

Which surprises the heck out of me.

Many writers will tell you that it’s a struggle at times. You’re practically squeezing blood from a philosopher’s stone. And sometimes, it’s effortless and you’re living the writing dream. I must have been experiencing the latter, which I’ll attribute to three things.

number 1The writing was broken into smaller chunks. I’ve found my frequency increasing, which means I’m finding more opportunities during the day to sit down and do some writing, even if it’s only a few dozen words. Additionally, since the first draft is nearly done, I’m filling in some small holes (e.g. transitions, intro paragraphs, and conclusions). I’d previously been equating progress to the number of marathon writing sessions I’d have. Lesson learned.

number 2It’s getting easier. Not that I know much about working out, but we all know that exercise increases strength and endurance. The same is true for your brain, as well as those nimble typing fingers. I’m quite certain I’m not the first to say something like, “The more you write, the more you write,” but it’s true. Over time, you’re changing the way your brain works, which is both awesome and somewhat unnerving. And perhaps an idea for an interesting short story.

number 3I’m having fun. It’s feeling less like work, which is great because this novel is like a part-time job where I’m not getting paid…yet. I’m getting up early and staying up late. I’m investing so much of my personal time that, were this to feel like a slog of a job, I’d probably never complete the thing. To be a couple hundred hours into this project and having more fun each day, well, I think that says something about the subject matter, as well as the improvements to my work ethic.

For those of you keeping track at home, the first draft is nearly 84,000 words or 173 Word pages. This probably begs the question, “When do we get to see some of this writing?” I’m working on an excerpt right now.

–Michael

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© Michael Wallevand, June 2016; except for the Shining image

My Wagon Is Draggin’

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This post is approximately 400 words. Weirdly written, stream-of-consciousness words.

The title is a synonym for being exhausted. Not to be confused with a dragon wagon, which is a concept I’ve been trying to fit into a story for years. But I digress before I’ve begun.

The household was restless last night. My wife caught whatever cold our youngest has. Our big dog, Atticus, seemed to be rotating his body on our bed in time with the hands of the clock. The smaller dog, Scout, scratched her bed regularly, looking for comfort. I’d moved 800 pounds of retaining wall bricks, so I had some complaining muscles that I forgotten were muscles.

This morning, I was in a fog. Honestly, it lasted most of the day. I buried myself in reporting at work, which meant minimal human interaction (i.e. fewer people to question whether I’d been replaced by a malfunctioning mandroid).

Can you tell I’m a bit punchy and sleep-deprived?

So, the point of this post is this: when your brain’s in a fog and you’re in the middle of writing a book, how does a person put forth the creative energy to work on the manuscript? Continue reading