Sometimes a piece of writing just hits me the right way, and I sit back, amazed. It makes me want to hold up the book and exclaim, “Look! Look at this right here. Now this is writing!”

I usually don’t literally do that, but I did this week.
I’m reading Get Shorty for, I dunno, maybe the tenth time. That puts it up there amongst my most-read books. It’s the first and only Elmore Leonard book I’ve read, a mistake I’ve been meaning to correct for something like fifteen years. My reward for finishing this post is checking out Rum Punch from the library.
I’ll be honest: I picked up the book because I adore the movie and the character Chili Palmer. I apologize to book purists in advance, but there are are some parts of the movie I prefer. However, there’s one thing it didn’t capture.
That Elmore Leonard frickin’ dialogue, man.
John Travolta is nice and smooth in the movie, Chil you might say, but his portrayal has that Hollywood polish. Chili Palmer in the book is tougher, rough around the edges. He thinks and talks like a person, which is to say, not like a written character obeying the rules of writing and language. He also doesn’t think much of the things people say.
Despite having read this book several times, it always takes me a few pages to regain my comfort with Leonard’s natural, if unusual style. I say that with all possible affection. As much as I appreciate grammar and the mechanics of writing, there are times when you break all the rules, and he is a master.
I’m coming to the end of the book and this passage knocks me out:
Continue reading

You won’t be surprised that Star Wars has been hugely influential to this 40-something writer. It’s second only to family in that regard. I’ll probably write about that on some future date. A large part of my adoration/zeal/mania is the soundtrack. I’ll get to this in a moment, so please bear with me while I set the stage, sounding like an old man as I do so.
Oh man, I’ve been meaning to write a post like this for awhile. Ideas have been churning in my head for years. Years! I’m excited to finally get to it, and I hope this comes through in my writing! It will be the first in a series that covers storytelling in lyrics and what writers can learn (similar posts can be found here: 
Today is a day much like one twenty-five years ago. I’m in blue jeans and flannel, and outside it feels like Autumn is being carried away by the harbinger winds of Winter. I’m listening to Soundgarden’s magnificent Badmotorfinger, though unlike today, in 1992 it was my first play-through, I was sitting in my freshman dorm room, and Chris Cornell was still alive.

1. Create limitless art.