This post is approximately 400 words. There’d be 25% more, if I hadn’t…tightened up my writing. Yeah, that’s right: bad jokes and math on this writing blog.
Many of the writing questions I’m asked are in the category of “Where do ideas come from?” which usually elicits a response about “mommy and daddy ideas that love each other very much.”
But I also get quite a few inquiries about mechanics, which to this grammar nerd, is pretty cool. We can all put words on paper in a coherent order, but it’s challenging to do it crisply and succinctly. Especially the first time. I rarely deliver a sentence that completely satisfies me after the first writing.

It’s like making dough: you can put the ingredients together, but if you don’t massage that lump, it’s not going to taste right. As someone who’s reviewed thousands of pages, I know that many people are satisfied with the lumpy dough of first drafts. I get it. There’s that impatience factor. But just as people are discriminating about pizza joints, so they are about books. They’ll stop coming for sub-par sustenance.
Not stopping at one draft is the key. The following examples demonstrate various ways to change up your thinking as you work through the editing process. Compare my lumpy messes to the dough I’m putting in the oven (he said, reconsidering his analogy). Continue reading

Upon your return to the computer, the black reality sets in. There’s nothing. No inspiration at all. In fact, there are days where I’ve been certain that banging my head against the keyboard would produce better prose than the barely-coordinated tapping of my fingers.